Skip to main content
1 of 3

Laura Wait
Voice on the Dark Side of the Moon

2017

You May Also Like
  • Breakthrough, expressionistic original painting
    Located in Deddington, GB
    Breakthrough by Elaine Ford [2021] original Acrylic and Mixed Media on Birch Panel Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:3.8cm Frame Si...
    Category

    21st Century and Contemporary Abstract Impressionist Abstract Paintings

    Materials

    Birch, Mixed Media, Acrylic

  • Smashing Pumpkins By Troy Smith Fine Art Abstract Art
    By Troy Smith Studio
    Located in Toronto, CA
    Title - Smashing Pumpkins. Acrylic Painting by Artist Troy Smith. The painting is signed by the artist on the back and comes with a small brass plaq...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Copper, Gold, Silver, Brass

  • Blue Dream By Troy Smith Fine Art Abstract Art
    By Troy Smith Studio
    Located in Toronto, CA
    Title - Blue Dream. Acrylic Painting by Artist Troy Smith. The painting is signed by the artist on the back and comes with a small brass plaque with the artist's name. Comes with ...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Acrylic, Birch, Plywood

  • Endless Night By Troy Smith Studio Fine Art Abstract Art
    By Troy Smith Studio
    Located in Toronto, CA
    Endless Night was painted by Troy Smith in acrylic on a Birch panel. The long arching palette strokes reach from one edge of the painting to the other. Blending only two colours, bla...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Birch, Acrylic, Wood Panel

  • Pyre VII, india ink charred plywood abstract patterns earth tones created w fire
    Located in Brooklyn, NY
    Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Wood, Plywood, Acrylic, India Ink, Birch, Wood Panel

  • "Home", abstract sculpture, wood, paint, geometry, circle, center, flow
    Located in Toronto, Ontario
    "Home" is an abstract artwork by Stan Olthuis composed of acrylic paint on baltic birch panel. Home measures 40" high by 30" wide by 1" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The lines are elegant. The artist's obsession with geometry and intersecting shapes is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...
    Category

    21st Century and Contemporary Abstract Geometric Abstract Sculptures

    Materials

    Wood, Birch, Acrylic

Recently Viewed

View All