Lena Ochkalova

Russian Contemporary Art by Lena Ochkalova - Chronometer Series 2

2021

Mixed media & ink on paper

Archival inks on paper marouflaged on canvas

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in ...

Ink on canvas & handmade paper Sandra Detourbet is a French artist born in 1967 who works & lives in Ivry-sur-Seine, near Paris. She is graduated in 1997 from ENSAD in Paris, Art-Sp...

Oil, acrylic, colored pencils, ink & graphite on gesso on aluminium Beck frame 2.5 cm

Ink, graphite pencil, and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm

SOPHIA MILLIGAN 'Paradise, Remembered' Original Artwork ___________________ Late August sun breaks joyously through the low morning cloud, an easterly breeze rustling through the st...

SOPHIA MILLIGAN 'Midsummer's Noon' Original Artwork, Framed ________________________ In it's transitory beauty the sunflower turns to face the brazen light of the solstice sun. The...

Andisheh Avini Iranian-American (b. 1974) Untitled III (2007) Collage of Arabic or Persian Islamic calligraphic script texts. Artist shaped frame Signature stamp and I-20 (New York) gallery label verso Image: 25.25" H x 18.5" W; frame: 27.5" H x 21" W x 1.5" D. Andisheh Avini was born in 1974 in New York. Educated at Hunter College in New York, he has shown consistently in solo and group exhibitions since 2002, including locations in New York, Berlin, Los Angeles, Basel, Madrid and Paris. He currently lives and works in New York. Through his abstract paintings, drawings and sculptures he finds the sweet spot where minimalism, Pop Art, and the political collide. Andisheh Avini is known for his patterned silkscreen painting created on carpet and wood, which are informed by the history and culture of Iran. Avini frequently takes familiar political images and recontextualizes them, prompting the viewer to consider Middle Eastern politics from another perspective. Blending the visual vocabulary of his Iranian heritage with aesthetic and material experimentation, Avini’s work offers a meditation on the experiences and memories that shape our identities. He has used a variety of exotic materials including marquetry or Khatam – a traditional Iranian craft of inlaid wood, crystalline protrusions of actual minerals, peacock feathers, mother-of-pearl and parchment often in abstract geometric compositions, mediums associated with traditional Persian craft— with nods towards Minimalism, Abstract Expressionism, and other Western art movements. He has shown in many prominent galleries including solo exhibitions at Marianne Boesky Gallery (New York), Galerie Frank...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith