Lucía Rodríguez Pérez

Untitled IV, Abstract Geometric & Colorful (Pastel) Oil Painting

2019

Lucía Rodríguez Pérez was first drawn to painting on a circular canvas while studying in Santiago, Chile. This early body of work experimented with color and featured ivy or plants i...

In this triptych, Felipe Fredes explores how painting can show how people form a thought (left panel) and how time takes a toll on our memory of that thought (slowly fading from midd...

In her “Balcony” series paintings, Lucía Rodríguez Pérez uses an same architectural mindset by constructing images of pillars and the surrounding sky by skillfully manipulating color to create the illusion of natural light. While architects and artists cannot manipulate natural light, she masterfully blends colors in her palette to create a complex yet subtle gradient that evokes the feeling of a sunset or sunrise. Each “Balcony” painting...

Lucía Rodríguez Pérez, b. 1986, Santiago, Chile Lucía Rodríguez Pérez was born and raised in Santiago, Chile. She received her B.F.A. from the Universidad Católica de Chile in 2009, and her M.F.A. from the New York Academy of Art in 2016. Her work is encompassed primarily by paintings, but explores a range of media including works on paper, collage, sculpture, and videography. As described by her husband and artist collaborator, she is a “chromo-phile who prioritizes ambiguity.” Currently, her work explores the tension between abstraction and representation, and is informed by color as the first and last word. Rodríguez Pérez has shown internationally and widely in Colorado, including her debut solo exhibition in the United States at Alto Gallery in Denver (2022). Group exhibitions include Peep Space, Tarrytown, NY (2023); Sala Virtual CCU, Santiago, Chile (2022), Soft Times Gallery, San Francisco, CA (2022); RedLine, Denver, CO (2019); Light Grey Art Lab, Minneapolis, MN (2018); Flux Factory, New York, NY (2016); among others. She is the recipient of a merit scholarship at the New York Academy of Art, and has been awarded grants and residencies from the Robert Rauschenberg Foundation and Space 776 in New York. Her work has been featured by Project Gallery V, the Denver Art Museum, Mesa Gráfica, ArtAlLimite Newspaper, and more. In addition to Romi Studio...

Lucía Rodríguez Pérez was born and raised in Santiago, Chile. She received her B.F.A. from the Universidad Católica de Chile in 2009, and her M.F.A. from the New York Academy of Art ...

Lucía Rodríguez Pérez was first drawn to painting on a circular canvas while studying in Santiago, Chile. This early body of work experimented with color and featured ivy or plants i...

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

Artist: Maya Kabat Title: Super Spatial 18 Medium: Oil on Canvas on Panel Size: 34x20 in Year: 2020 Price: 3,800

THE OCCUPANT 2020 Paris, France A smaller work done in parallel to a complimentary piece ‘WOMBS, TOMBS, TOOLS,’ which portrays hand-painted serif typeset words ‘THE OCCUPANT.’ A ribbon of black along the base of the work hosts a line which reads: “The offices in the desert vending out futures -- if you had gotten a good one you too would want them all to know -- where our bodies have been.” The work is a commentary on the spaces we inhabit, and how they are all temporary. Paint is acrylic with the exception of the red elements, which are formed with oil paint. The painting is executed on two connected, reclaimed wood panels...

Artist: Maya Kabat Title: Super Spatial 4 Medium: Oil on canvas on panel Size: 22x12 inches Year: 2019 Price: $2000

Oil on canvas. Use of different abstract techniques on a deep blue colour. The artist uses his fingerprints to give more character to the work, which is completed by a spiral that inspires the artwork itself. In Antonio Buonfiglio...

Rescue (c.1945) Oil on panel 14" x 17" 19 ½" x 22 ¼" x 1 ½" framed Signed "M. Golubov" lower right, titled "Rescue" verso. About this artist: "If you can imagine a point moving, i...