Malgosia KiernozyckaRiver Of Joy Diptych Abstract Painting2023
2023
About the Item
- Creator:
- Creation Year:2023
- Dimensions:Height: 31 in (78.74 cm)Width: 62 in (157.48 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lake Worth Beach, FL
- Reference Number:1stDibs: LU192213681562
Malgosia Kiernozycka
Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for the Academy of Fine Arts in Wroclaw. She studied glass design under Professor Witkowski and painting under Professor Wanda Golkowska. She received her master’s degree along with an award. In 1986, Kiernozycka moved to Germany and studied screen design at the Multimedia Academy in Mainz, and worked as a guest speaker at the Academy of Fine Arts in Wiesbaden. In 1989, she participated in an art exhibition for the best Diploma works in Munich, Germany, and was invited to present her pieces at an exhibition in Osaka, Japan, due to her outstanding work. In 1990, Kiernozycka was a laureate at OB ART in Paris where she showcased her glassworks. She has worked as a graphic designer, painter and on various other digital projects for many years before stepping away from art for a while. Only in the past few years did she come back to painting and drawing. Now Kiernozycka spends every free minute on her artistic work, playing with colors and formats, exploring and evolving her style. She creates stories with lines, circles, and blotches on paper and canvas while drawing inspiration from walks through Berlin, graffiti and street art on the walls and gates, colorful streets, as well as music and movies. Kiernozycka also participated in many groups and individual exhibitions around the world. Kiernozycka’s works can be found in individual as well as group collections around the words including at the Galerie Capazza, city gallery in Strasburg, France, New York, Florida, Australia, Germany and Poland.
- ShippingRetrieving quote...Ships From: Berlin, Germany
- Return PolicyA return for this item may be initiated within 3 days of delivery.
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SOME AWARDS: Lauréat du prix International Victor Choquet Lauréat au salon Populiste Musée d’Art Moderne Grand prix Interministériel au musée de la Monnaie Grand Prix C3D au Musée de la Monnaie Lauréat et diplômé de l’Académie Internationale de Lutèce Lauréat et diplômé de l’Académie Internationale d’Art Contemporain Diplômé de la Fédération Nationale de la Culture Française en qualité de “Créateur d’aujourd’hui". Prix du salon des Artistes Français 2004, décerné par l’Académie des Beaux-Arts Prix Paul Chabas, Institut de France, Académie des Beaux-Arts Médaille du mérite et dévoument aux Arts, Académie Mazarine Prix Michel Ange pour l’ensemble de l’oeuvre, Académie Mazarine Fédération Nationale de la Culture Française (Sélection du monde des Arts Plastiques). Académie des Beaux-Arts de Saint Louis (Titre d’Académicien Associé). Grand Baz’Art, prix de l’humanité et de la générosité. Collective Exhibitions Salon des Artistes Français Salon d’Automne Salon des Artistes Indépendants Salon d’Hiver Salon Populiste (Musée d’Art Moderne) Salon Interministériel (Musée de la Monnaie) Grand prix Victor Choquet (Musée de la Monnaie) Grand prix C 3 D (Musée de la Monnaie) Salon International de Lutèce Salon international d’Art Contemporain (I.A.C.) Europe-Art (Paris) Salon d’Art Singulier Salon Violet, prestige de l’art contemporain A2PAC - Invité d’honneur 2004 Ramp-Art - Avignon Art Contemporain 2000 Diverses expositions itinérantes en groupes en Allemagne, Italie, Belgique, Espagne, Afrique, Chine ... Hivernales LONDON ART - Salon Waldorf Palace Art SHANGHAÏ - Art contemporain WIK & AM - Wiener International Kunst - Vienne AUTRICHE Rouen National Arts - Biennale Courants d’Art Singulier Espace Rachi (Rétrospective) Personal Exhibitions Salon des Artistes Français Salon d’Automne Salon des Artistes Indépendants Salon d’Hiver Salon Populiste (Musée d’Art Moderne) Salon Interministériel (Musée de la Monnaie) Grand prix Victor Choquet (Musée de la Monnaie) Grand prix C 3 D (Musée de la Monnaie) Salon International de Lutèce Salon international d’Art Contemporain (I.A.C.) Europe-Art (Paris) Salon d’Art Singulier Salon Violet, prestige de l’art contemporain A2PAC - Invité d’honneur 2004 Ramp-Art - Avignon Art Contemporain 2000 Diverses expositions itinérantes en groupes en Allemagne, Italie, Belgique, Espagne, Afrique, Chine ... Hivernales LONDON ART - Salon Waldorf Palace Art SHANGHAÏ - Art contemporain WIK & AM - Wiener International Kunst - Vienne AUTRICHE Rouen National Arts - Bienale Courants d’Art Singulier Espace Rachi (Rétrospective) Galeries Valombreuse à Biarritz et Paris Galerie Climat au Sable d’Olonnes Galerie Zafira rue Mazarine à Paris Galerie 51 rue de Seine à Paris Les Galeries du salon Ivoire en Côte d’Ivoire Galerie d’Art du Palais au Touquet Opéra Gallery (Paris, Miami, New-York, Singapour, Londres) Gallerie “Art Passion” - Montpellier Gallerie 27 - Londres (rétrospective). Gallerie Hughes Pénot, La Baule Singul’Art - Lyon Tel-Aviv - YAFO (Rétrospective - 350 oeuvres) Gallerie d’Art des Pyramides GF & CO Gallery - Vienne - Autriche MEETING WITH THE ARTIST: A work of art must allow itself to be viewed in a calm manner, with you letting your mind wander and allowing yourself to daydream. All forms of creative and recreational cultural expression are or should be an invitation to travel. Music, literature, poetry, theater, cinema, painting, sculpture, photography, and so on, are no exceptions to this rule when they carry a stamp of sincerity. An act of expression can only be authentic if it is not motivated by the constraints laid down by obligations, by recognition. Painting, like other means of expression, is a cry, a feeling, a listening process, pain, joy... a realization or an epiphany to be shared with my family and friends and with people who go to my exhibitions. In the former case I experience a real moment of sharing, a kind of osmosis. A work - irrespective of what it contains - is only successful as an act of expression if it contains life, something to think about, feelings a pathway to an exchange, an invitation concerning it and the observer. If this communion takes place, then the work is a good one. When the architecture of a work, its theme, the balance of forms and colors, the mobility or freedom of the eye, the seeing, and the thinking, are all present in a kind of harmony, there are no longer any obstacles between a work and us. After painting for more than 50 years, I have had many opportunities during the course of my exhibitions to express myself with visitors who wanted to go through the mirror of the initial visual impression of a painting. I find their uncertainties and their desire to know - more than just view - touching. Other visitors view, sometimes view themselves, and then continue going around a gallery having ''read'' paintings in their own ways. Some people cast a disinterested passing glance, and, very sure of themselves, continue on their way. These people are sometimes in the majority. After having worked in conjunction with several gallery-owners, exhibited my work in France and abroad, I have never agreed to sign a contract. I never express myself on an imposed topic, work, based on an order, or work at a certain speed. Art cannot be dictated, it cannot be ordered. Life, time, kindness, love, madness, freedom, money, politics, the mind, the heart, its opposite, popular and honest art, all of life's facets and asses became my life. They are my reflective and observational canvas in terms of the content of my paintings. Developments, variations on forms have taken place, but never in relation to the basics of my process. On this journey I came across ''sand'', which can be found on the surface of my paintings from 1966 to 1998 - and occasionally after 1998. We are made of dust, and must return to dust. Humbleness is a watchword which is included in one way or another, in my paintings, by means of signs or of small sentences, and this is notably the case in relation to topics addressed concerning covetousness, temptation, greed, selfishness, hypocrisy, success at any price, lying, power, money, art for money's sake people, and so forth. I hesitated a very long time before writing about my painting. I believed that doing so was a bit like usurping the role of the ''watchers'', those people who prefer to have their own interpretation, and prefer to take the tome to uncover, in the meanders of my handwriting and my short sentences, the keys, crucial details and symbols in my works - what is hiding behind the initial image. When you read a good book or listen to music, you do not make decisions based on the title of the book or on the first note...Category
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