Marco Nereo Rotelli

BLU 1 - MUSIC by Marco Rotelli - Math - Equation

2013

My World is Full of Possibilities - Green 2021 Mixed media, acrylic paint and archival print on acrylic, recycled plastic, gold leaf, and mirror. Arica Hilton's "My World is Full o...

My World is Full of Possibilities - Black/Red 2021 Mixed media, acrylic paint and archival print on acrylic, recycled plastic, gold leaf, and mirror. Arica Hilton's "My World is Fu...

My World is Full of Possibilities - Red/Green 2021 Mixed media, acrylic paint and archival print on acrylic, recycled plastic, gold leaf, and mirror. Arica Hilton's "My World is Fu...

My World is Full of Possibilities - Green/Yellow 2021 Mixed media, acrylic paint and archival print on acrylic, recycled plastic, gold leaf, and mirror. Arica Hilton's "My World is...

My World is Full of Possibilities - Blue 2021 Mixed media, acrylic paint and archival print on acrylic, recycled plastic, gold leaf, and mirror. Arica Hilton's "My World is Full of...

Acrylic on Acrylic with Recycled Plastic in Lightbox 24 x 18 inches 61 × 45.7 cm Based on the theories of infinite and parallel universes, MULTIVERSE is a visual rendering in the s...

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings. Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council. Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983. Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam. In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...

Michael Nelson Tjakamarra (also cited as: Michael Nelson Jagamarra, or Jakamara) is a Senior Warlpiri Tribesman and an Elder of the Papunya Community in central Australia. Born c. 1949 at Pikilyi, Vaughan Springs west of Yuendumu in the Northern Territory, he grew up ‘in the bush’. His father was an important tribal elder and medicine man at Yuendumu. It was therefore automatic that he would grow up with the traditional values and knowledge that now influences his paintings. Michael lived at Haasts Bluff until his parents took him to Yuendumu for European education at the mission school. He left school at thirteen, after initiation, and worked at buffalo shooting, driving trucks, droving cattle and in the army, before returning to Yuendumu and then to Papunya to settle in 1976. He worked for a time in the Government store and for the Council. Michael learned to paint at Papunya by observing the senior men such as Billy Stockman and Old Mick Tjakamarra. Although he was tutored by his uncle, Jack Tjupurrula, Michael developed his own style and began painting earnestly from 1983. Michael is known as master desert painter for his depiction of several Dreamings in one painting. For him the understanding of the Dreaming stories that go with his paintings is all important – without the stories his paintings would ‘mean nothing’ as far as he is concerned. His Dreamings include the Possum, Snake, Two Kangaroos, Rock Wallaby, Bush Banana, Honey Ant and Yam. In 1984 Michael won the National Aboriginal Art Award with his painting ‘Three Dreamings’. His reputation as a painter rose rapidly after this. He exhibited his work in the 1986 Biennale of Sydney and featured in ‘The State of the Art’, a British art documentary. In 1987 Michael had been asked to paint a major work (27’long) to decorate the foyer of Sydney’s Opera House and he chose to paint his ‘Possum Dreaming’ story. A great highlight in Michael’s career was in 1988 when he was commissioned to design a 196 sq-metre mosaic in the main forecourt of Australia’s new Parliament House in Canberra. The work was based on his ‘Kangaroo and Emu’ dreaming. Michael was presented to Her Majesty, Queen Elizabeth 11...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

'Sapphire Sea Spruce' is an excellent example of the paintings of Daniel Klewer, coming from his series 'Linear Tactility.' The paintings in this series all share a consistent, linea...

Series: Croissances Name: Tableau 1 Material: Acrylic on canvas

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...