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Style: Abstract
Medium: Plastic
Gudrun Mertes-Frady "BETWEEN THE LINES #8" -- Abstract Painting on Paper
Located in New York, NY
Gudrun Mertes-Frady
BETWEEN THE LINES #8, 2018
water-based and metallic media on mylar
19 x 24 in.
This original abstract painting by Gudrun Mertes-Frady is neutral in color palette...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Mylar, Paint, Mixed Media
Sylvia Schwartz 8, 2018, wood, fabric, plastic, 11" x 11.5" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Fabric, Plastic, Wood, Found Objects, Acrylic
Bob Seng, Exit 915RR, 2018, scraped, collaged, EXIT signs, 25” x 30”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plastic
Bob Seng, Exit 884, 2018, scraped, collaged, EXIT signs, 35” x 29”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plastic
Bob Seng, Exit 973RR, 2019, scraped, collaged, EXIT signs, 33” x 31”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plastic
Bob Seng, Exit 908R, 2018, scraped, collaged EXIT signs, 20” x 26”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plastic
Bob Seng, Exit 902R, 2018, scraped, collaged, EXIT signs, 29” x 28”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plastic
Bob Seng, Exit 966R, 2019, 23" x 23" scraped, collaged, readymade Exit sign
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plastic
Sylvia Schwartz 7, 2018, wood, fabric, plastic, paint, 9" x 7.5" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Plastic, Fabric, Wood, Found Objects, Acrylic
READER IN A LAWN CHAIR - Abstract Figure Painting, textured, red stripes
Located in Signal Mountain, TN
"Reader in a Lawn Chair" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach.
More info below:
Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions.
Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum.
Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life.
Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body.
*Make sure to use the "view in a room...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Canvas, Silicone, Paper, Oil, Panel
LAWN CHAIR WITH WHITE T-SHIRT - Abstract Figurative, textured, brown, red, green
Located in Signal Mountain, TN
"Lawn Chair with White T-shirt" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matt...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Canvas, Silicone, Oil, Panel, Magazine Paper
Untitled 02 - 21st Century, Organic, Black, Minimalist, Abstract, Monochrome
Located in Berlin, DE
Untitled 02, 2015 - 2016
Mixed technique: black silicone, oil, whir on canvas
(Signed on reverse)
15.74 H x 15.74 W in
40 H x 40 W cm
Zsolt Berszán’s work speaks of repulsion and fa...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Canvas, Silicone, Oil
FAT BACK - Contemporary Figurative/Abstract Oil Painting, texture, mixed media
Located in Signal Mountain, TN
FAT BACK is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach.
More info below:
Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions.
Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum.
Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life.
Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body.
*Make sure to use the "view in a room...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Enamel
Snow's Light
By Debra Ramsay
Located in London, GB
Acrylic on acrylic panel (plexi) - Unframed
Ramsay's work is informed by nature, the seasons, changing landscapes and the passing of time. She is inspired by systems, mathematics an...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Sylvia Schwartz_2, 2018, fabric, silicone, plastic, 14" x 13" x 2"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Found Objects, Silicone, Fabric, Plastic
Rising Burst - Contemporary Abstract Mixed Media Painting, yellow burst of light
Located in Signal Mountain, TN
"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Polyester, Paper, Oil, Acrylic, Gouache, Mesh
Sylvia Schwartz 3, 2018, fabric, 16" x 15"
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Fabric, Plastic, Silicone, Found Objects
Screech of ice series 43 (Abstract drawing)
Located in London, GB
Colored pencil and graphite on plastic paper. Unframed.
Screech of Ice is a new series of drawings made by holding a bunch of pencils in two hands and letting them to do the control...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Plastic, Paper, Color Pencil, Graphite
Sylvia Schwartz, Dressing-up_Detail, 2018, canvas, fabric, paint, plastic
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Fabric, Plastic, Found Objects, Acrylic
GIRL WITH SEAGULL TATTOO - abstract figurative, textured painting/mixed media
Located in Signal Mountain, TN
"Girl with Seagull Tattoo" uses caulking to create the texture of lace as the prominent physicality of the clothing is juxtaposed against a background of browns and pastels. The figu...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Enamel
Literary Rose XXII
By Jinni Thomas
Located in Santa Fe, NM
48 x 30"
yellow sienna
In Jinni Thomas’ work she says, " The emotion from that visual experience, that awe moment, works down into our hearts and alters the grain of our reality. ...
Category
21st Century and Contemporary Abstract Plastic Abstract Paintings
Materials
Gold Leaf
Ground Zero, Acrylic painting by Roy Witlin
By Roy Witlin
Located in Long Island City, NY
Artist: Roy Witlin, American
Title: Ground Zero
Year: Circa 1970
Medium: Acrylic on Plexi
Framed Size: 30 x 29 inches (76.2 x 73.66 cm)
Category
1970s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Sylvia Schwartz, Queen, 2018, canvas, fabric, paint, plastic
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Fabric, Plastic, Found Objects, Acrylic, Canvas
Untitled 01 - Contemporary, Organic, Black, Minimalist, Abstract, Monochrome
Located in Berlin, DE
Untitled 01, 2015 - 2016
Mixed technique: black silicone, oil painting, wire structure on canvas
(Signed on reverse)
15.74 H x 15.74 W in
40 H x 40 W cm
Signed on reverse
Zsolt Ber...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Canvas, Silicone, Oil
VIEW - Contemporary Abstract Mixed Media Painting, cool color light/shadow
Located in Signal Mountain, TN
"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Polyester, Paper, Oil, Acrylic, Gouache, Mesh
WINDOW IV - Contemporary Abstract Mixed Media Painting, light and shadow, icicle
Located in Signal Mountain, TN
"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...
Category
21st Century and Contemporary Abstract Plastic Abstract Paintings
Materials
Polyester, Oil, Acrylic, Mesh
MORNING - Heather Hartman - Contemporary Abstract Mixed Media Painting
Located in Signal Mountain, TN
MORNING captures the soft patterned shadow of leaves peering through a window. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hart...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Polyester, Paper, Oil, Acrylic, Mesh
WINDOW V - Contemporary Abstract Mixed Media Painting, shadow, curtains, blue
Located in Signal Mountain, TN
WINDOW V captures the soft patterned shadow of the trees veiled by a sheer curtain. This painting is is part of an on-going series that explores the light and landscape in Tennessee....
Category
2010s Abstract Plastic Abstract Paintings
Materials
Polyester, Oil, Acrylic, Gouache, Mesh
FAT BACK WITH TATTOOS - Contemporary Abstract Mixed Media Painting, textural
Located in Signal Mountain, TN
"Fat Back with Tattoos" is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach.
More info below:
Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions.
Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum.
Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life.
Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body.
*Make sure to use the "view in a room...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Canvas, Silicone, Paper, Oil, Panel
In And Out Black and White Abstract Composition
Located in Lake Worth Beach, FL
Black and white abstract cast paper, ink,
Size: 48x38, framed under plexiglass 51x41x2
Pencil signed, Artist Proof.
Richard Royce was born in New York on August 18, 1941.
After getting his BA and MA in fine art at the University of Wisconsin, Richard went to France to study with Stanley W. Hayter, (the father of modern printmaking). On returning to the US he opened a studio where he produced etchings, cast paper, paintings and sculptural commissions of his own work while at the same time helping other artists including Roy Lichtenstein, Larry Rivers, Marisol, George Segal, Raphael Soyer, Francoise Gilot and Jim Rosenquist to realize works in various media.
COLLECTIONS
Bibliotheque Nationale, Paris, France
State Historical Society of Wisconsin
Portland Art Museum, Oregon
Fine Arts Museum of Long Island, New York
International Paper Corporation, New York
Isla Center, University of Guam, Micronesia
Byer Museum of the Arts, Evanston, Illinois
Musee du Petite Format, Couvin, Belgique
Yasuda Life Insurance Company, Japan
SOLO EXHIBITIONS
1991 Prestige Gallery, Danvers, MA
1989 Watermark/Cargo Gallery.. Kingston, NY
1986 ARRAS Gallery, NYC, NY
1985 The Tremellen Gallery, Lancaster, PA
1982 Linden Gallery, New York, NY
1979 Contemporary Crafts Gallery, Portland, OR
Keller Gallery, Salem, OR
The Tremellen Gallery, Lancaster, PA
1970 Ventura College, Ventura, CO
University of Wisconsin, Madison, WI
1969 Comsky Gallery, Boston, MA
Ohio University, OH
1968 Thompson Gallery, Boston, MA
The Galor Hagen Gallery, Dallas, TX
University of Southern California Gallery
SELECTED GROUP EXHIBITIONS
2004 Living Space Gallery, Cornville, AZ
2001 Rodman Gallery, Stockbridge, MA
1997 Dalton Fine Art, Boston, MA
Boston Corporate Art, Boston, MA
Prestige Gallery, Atelier Royce Group Show, Danvers, MA
1996 Copley Society Gallery, Group Sculpture Show, Boston, MA
1995 Barbara’s Hang Up Gallery, Group Show, Beverly, MA
1991 Creative Framing Gallery, Boston, MA
1989 5e Exposition International "Petit Format de Papier" Cul-Des-Arts (Couvin), Belgique
1988 Premiere Triennale Mondiale D'Estampes Petit Format (Traveling show to museums throughout France)
1987 "Eight Upstate Sculptors", Woodstock Artist Assn., NY
1986 First International Biennial of Paper Art, Leopold-Hoesch Museum, Dueren, Germany
1985 '85 Mini-Exhibition, Isla Center, University of Guam, Micronesia
1984 Paperworks: A National Invitational, Chevey Cowles Memorial Museum, Spokane, WA
Paper, Canvas & Glass, Gallery Mack, Seattle, WA
Atelier Royce Group Show, Eclipse Gallery, New York
Contemporary Paperworks, Hurlbutt Gallery, Greenwich, CT
1983 Paper As Images - Traveling exhibition: Six galleries throughout England
1982 Papermaking USA, American Crafts Museum, New York
Atelier Royce Group Show, State University, Purchase, NY
New American Graphics 2, Art Museum Association of San Francisco Traveling...
Category
1990s Abstract Plastic Abstract Paintings
Materials
Lucite, Handmade Paper, Ink
THE LONG SUMMER - Contemporary Abstract Mixed Media Painting, Green, Light
Located in Signal Mountain, TN
THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Polyester, Paper, Oil, Acrylic, Gouache, Mesh
Untitled 03 - Contemporary, Monochrome, Black, Minimalist, Abstract, Organic
Located in Berlin, DE
Untitled 03, 2015 - 2016
Mixed technique: black silicone, oil paint, wire structure on canvas
(Signed on reverse)
15.74 H x 15.74 W in
40 H x 40 W cm
Zsolt Berszán’s work speaks of ...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Canvas, Silicone, Oil
Freehand Cut with Surgical Scalpel on 2 ply Museum Board: 'Gunshot Three'
Located in New York, NY
“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Board, Adhesive, Acrylic
Freehand Cut with Surgical Scalpel on 2 ply Museum Board: 'Gunshot Four'
Located in New York, NY
“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Board, Adhesive
ECHO II - Grey, Purple, Yellow Contemporary Abstract Mixed Media Painting
Located in Signal Mountain, TN
This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Polyester, Paper, Oil, Acrylic, Gouache
Freehand Cut with Surgical Scalpel on 2 ply Museum Board: Red Blend Gunshot-In'
Located in New York, NY
“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Acrylic, Board
Freehand Cut with Surgical Scalpel, Silk-Screened: 'Grey White Allover-Out'
Located in New York, NY
“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Paint, Board, Adhesive
Red and Orange #1 - bright, abstract, minimalist, acrylic on plexiglass
Located in Bloomfield, ON
Curated circles of silver, black, tangerine orange, and cherry red define the dove grey ground of this square minimalist acrylic painting on plexiglass. The areas between the shapes ...
Category
1990s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Still Life Yellow - small, bright, geometric minimalist, acrylic on plexiglass
Located in Bloomfield, ON
Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square neutral ground. The areas between the shapes in this minimalist still life acrylic ...
Category
Early 2000s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Freehand Cut with Surgical Scalpel, Silk-Screened: 'Orange Blend-In'
Located in New York, NY
“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Board, Plexiglass, Adhesive, Acrylic
Freehand Cut with Surgical Scalpel, Silk-Screened: 'Orange Blend Circle-In'
Located in New York, NY
“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Adhesive, Acrylic, Board
Maelstrom Series 68 (Abstract drawing)
Located in London, GB
Pigment pencil on Mylar. Unframed.
The Maelstrom Series include the most iconic and known of Peerna's works.
Starting from the center on a tilted table, she extends her fingers t...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Mylar, Color Pencil
Thaw 3 (Abstract drawing)
Located in London, GB
Graphite and colored pencil on two layers of plastic paper. Unframed.
Thaw Series is a new series of drawings where the artist continues her work touching upon environmental matter...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Plastic, Color Pencil, Graphite
Pink Link
By Jessica Snow
Located in London, GB
Oil on circular plexiglass - Unframed
This work, on plexiglass equipped with French cleat hanger, floats off the wall. It combines looping lines and interlocking shapes. Neutrals an...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Plexiglass, Oil
Jane Sangerman, Digit 50, 2016, Paper, Spray Paint. Abstraction. Found Object.
Located in Darien, CT
Jane Sangerman lives and works in New York City.
She received her BFA from the University of New Mexico and her MFA from the State University of New York at Buffalo. She has had ...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Acrylic, Paper, Spray Paint
Mary Schiliro, Quick Dip, 2012, Painting, Acrylic on Mylar , Abstract Sculpture
Located in Darien, CT
Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Mylar, Acrylic
Still Life Maroon and Green - bright, abstract minimalist, acrylic on plexiglass
Located in Bloomfield, ON
Curated circles in pale green, gold, black and toned maroon are precisely and contemplatively arranged on a light dove grey ground. The areas between the shapes in this square minima...
Category
Early 2000s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Elizabeth Riley, Arthropod, 2017, Polyester, Paper, Acrylic Paint, Inkjet Print
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Hook Made From Ether, 2017, Acrylic Paint, Inkjet Print, Paper
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Polyester, Paper, Acrylic, Inkjet
Profile
By Luc Hoekx
Located in Dordrecht, NL
A more literal reference to window constructions is in the recent work of Luc Hoekx. Transparent panels made of plexiglass are painted on both sides with colored surfaces. Front and ...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Oil
Elizabeth Riley, Digit and the Falling Moom, 2017, Polyester, Acrylic Paint
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Video Feet, 2017, Paper, Acrylic Paint, Inkjet Print, Polyester
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Polyester, Paper, Acrylic, Inkjet
Elizabeth Riley, Rocking Shapes, 2017, Polyester, Acrylic Paint, Inkjet Print
Located in Darien, CT
Elizabeth Riley’s work addresses questions concerning the complex and changing world we inhabit and our “mixed reality,” living between physical and digital/virtual contexts – are we our everyday, familiar, material past, or our digital future, and is this apparent “mixed reality” of the moment to be embraced or resisted. Is the digital present the bells and whistles of an unchanged and familiar humanity or does it define us, and the future. This project is embodied in tabletop cityscapes, structural wall works and installations including video, inkjet-printed video stills, and found home furnishings.
Other continuing threads at play in my body of work are the struggle to overcome oppression as a woman – and a relationship with the urban environment and constructed space, as both personal and paradigmatic space. Exhibited in Excessive Frugalities, Digital Feet and Rocking Posture are three dimensional wall works made from multicolored video stills inkjet-printed on paper, and paint on the tough mylar-like material, duralar. These work combine illusionistic space with constructed elements in a multidimensional mashup of traditional and new mediums.
. A long time New Yorker, Elizabeth Riley graduated from Barnard College and received an MFA from Hunter College. In April 2017, the site-specific participatory installation, City Remix, appeared in the exhibition Reconstruct at LIU, in Brooklyn, and in June 2017 the 20 x 20 ft installation, Paper Dragons, Broolyn, which functions as a walk-in, physical video, appeared in Bigger Bolder Better at 470 Vanderbilt Ave, Brooklyn, sponsored by Chashama. In 2016 a multipart tabletop cItyscape, Video City, appeared in the exhibition, Land, Air, Place at Project ARTspace in Manhattan. In 2014-2015 large-scale installations by the artist appeared in exhibitions of site-specific work in Brooklyn at Storefront Ten Eyck, curated by Karin Bravin, and in Atlanta and Duluth, Georgia presented by Dashboard. In 2011-2013 her work was exhibited in a number of 2- and 3-person shows or screenings, including at Kijdome, Boston, and dB Visual Artist Series / Dungeon Beach, Storefront Bushwick, Creon Gallery and Studio Salon curated by David Gibson, all in New York City. Groups shows include exhibitions at Denise Bibro Fine Arts, Lesley Heller Workspace, Van Der Plas Gallery, Janet Kurnatowski Gallery, Norte Maar, Associated Gallery, Brooklyn Fire Proof, Active Space, Sugar in Bushwick, NY Studio Gallery, Sideshow Gallery, PS 122, and Nurtureart.
Elizabeth Riley's videos have appeared in screenings at home and abroad, including venues in England, Madrid, Copenhagen and Berlin. She was awarded a BRIC Media Arts Fellowship in 2014 and has been honored with twelve artist residencies, including the Heliker-Lahotan Residency, Great Cranberry Island...
Category
2010s Abstract Expressionist Plastic Abstract Paintings
Materials
Polyester, Paper, Acrylic, Inkjet
Snow White No. 2 - bright, geometric abstract, minimalist, acrylic on plexiglass
Located in Bloomfield, ON
Four precisely configured and stacked circles in rust-brown, black, light brown and sand form a contemplative whole at the foot of a square snow white ground. The areas between the s...
Category
1990s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Mary Schiliro, Random Dip 4, 2015, Painting, Acrylic on Mylar, Abstraction
Located in Darien, CT
Mary Schiliro's work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring new possibilities of presentation. She uses a dipping process w...
Category
2010s Abstract Plastic Abstract Paintings
Materials
Mylar, Acrylic
Still Life in Gray - bright, abstract, post-minimalist, acrylic on plexiglass
Located in Bloomfield, ON
Four precise circular shapes in red, gold, black and light brown form a contemplative whole at the foot of a square dove gray ground. The areas between the shapes in this minimalist ...
Category
Early 2000s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Things With Tops - small, orange, minimalist, still life on plexiglass
Located in Bloomfield, ON
Two rectangular shapes one in painterly brown the other in dark navy are topped with white and beige. These enigmatic and humorously titled "things with tops" are contrasting outcrop...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Acrylic
Corner
By Luc Hoekx
Located in Dordrecht, NL
A more literal reference to window constructions is in the recent work of Luc Hoekx. Transparent panels made of plexiglass are painted on both sides with colored surfaces. Front and ...
Category
2010s Abstract Geometric Plastic Abstract Paintings
Materials
Plexiglass, Oil
Plastic abstract paintings for sale on 1stDibs.
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