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Melisa Taylor Metzger
Untitled (grid painting abstract wood contemporary neutrals pink optical art)

2018

$4,400
$8,00044% Off

About

"Marriot I" explores the assimilation of aerosol painting, charring and sanding techniques on wood. This ethereal and atmospheric painting solicits our visual perception by suggesting a discoverable lattice of motifs emerging out of defacement and obscuration. The evanescent color palette in this piece is neutral with subtle hues of skin tones, light pink, sand color, rich browns, siennas, highlighted with sfumato white. Artists that come to mind when viewing Melisa's work include Agnes Martin, Gerhard Richter, Sterling Ruby, Jack Whitten, Julian Stanczak, Garth Weiser, and Frank Stella. Keywords: pyrography, sanding, materiality, electric tools, soft, blurred, complex, hard-edged, dynamism, line, form and color, multilayered, neutrals, pink, earth tones, pastel colors, geometry, grid, atmospheric, optical, Abstract, Minimalism, Modern, Abstract Expressionism, Spray Paint, Acrylic, Wood, stencil, op art, contemporary gestural abstraction , stripes, repetition, linear grid, painting, chance, serial formalism, gradients, pixelated, visual perception, process-oriented, burnt and charred About artist: In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated to her visual language an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Embracing chance is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America, Europe and Asia.

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Located in Quebec, Canada
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