Meredith Pardue

Aqua Stella

2014

Deborah Dancy In Short Order, 2021 oil on canvas 26 x 24 in. (dan031) This original contemporary abstract oil painting on canvas by Deborah Dancy is comprised of blue, orange, cream, and black hues in her signature built up/re-built space. Deborah Dancy is an abstract artist. Her paintings and drawings are sensuous provocations beset with marks that guide, then abruptly collide into confrontational slabs of color. There is an atmosphere of complex but urgent tension in her work, as she builds tangential linear demarcations, and abutting shapes, that provoke, entice and disrupt; -taking us everywhere and nowhere. From densely painted forms to more minimally declared images, Dancy’s work operates in the recognition that meanderings, intentional and accidental declarations are best when the beautiful and the disconcerting exist simultaneously. Deborah Dancy was born in Bessemer, Alabama and raised in Chicago, Illinois. She earned BFA from Illinois Wesleyan University and an MS and an MFA from Illinois State University. She is the recipient of John Simon Guggenheim Foundation Fellowship, a Yaddo Fellow, and a National Endowment of the Arts NEFA award. Her work is in many collections including The Museum of Fine Arts, Boston, The Birmingham Museum of Art, The Hunter Museum and The Detroit Institute of Art. N’Namdi Contemporary Miami, Robischon...

Fran Shalom Spotlight, 2020 oil on canvas 18 x 18 in. (sha062) This abstract oil painting on canvas is bold, bright, and colorful, in highly saturated shades of orange, blue, purple...

Maeve D'Arcy Meet Us There, 2022 acrylic and oil on canvas 24 x 20 in. (dar060) This contemporary abstract painting on canvas is composed delicate repetitive mark making on organic ...

Deborah Dancy Just a Disguise, 2021 oil on canvas 36 x 38 in. (dan032) This original contemporary abstract oil painting on canvas by Deborah Dancy is comprised of pink, grey, orange, and cream hues in her signature built up/re-built space. Deborah Dancy is an abstract artist. Her paintings and drawings are sensuous provocations beset with marks that guide, then abruptly collide into confrontational slabs of color. There is an atmosphere of complex but urgent tension in her work, as she builds tangential linear demarcations, and abutting shapes, that provoke, entice and disrupt; -taking us everywhere and nowhere. From densely painted forms to more minimally declared images, Dancy’s work operates in the recognition that meanderings, intentional and accidental declarations are best when the beautiful and the disconcerting exist simultaneously. Deborah Dancy was born in Bessemer, Alabama and raised in Chicago, Illinois. She earned BFA from Illinois Wesleyan University and an MS and an MFA from Illinois State University. She is the recipient of John Simon Guggenheim Foundation Fellowship, a Yaddo Fellow, and a National Endowment of the Arts NEFA award. Her work is in many collections including The Museum of Fine Arts, Boston, The Birmingham Museum of Art, The Hunter Museum and The Detroit Institute of Art. N’Namdi Contemporary Miami, Robischon...

Maeve D'Arcy Off The Record, 2022 oil on canvas 24 x 20 in. (dar071) This contemporary abstract oil painting on canvas is composed of delicate repetitive mark making on organic shap...

Mary Didoardo June Bug, 2022 oil on wood panel 8 x 8 in. (dido095) This small abstract oil painting on wood by Mary Didoardo features her...

Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

Untitled Floralscape, an original oil painting on canvas by William Verdult, is a piece for the true collector. The artist's genius reflects a fiery artistic approach that inspires u...

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...

Quotes within painting: "If you don't know a guy on the other side of the world, love him anyway because he is just like you. He has the same dreams the same hopes and fears. It's one world pal, we are all neighbors. A big lesson in life baby, it's never be scared of anyone or anything. I'm gonna live till I die. The best revenge is massive success. Don't hide your scars they make you who you are. Fear the enemy of logic. There is no more debilitating, crushing , self-defeating, sickening thing in this world to an individual or to a nation. It's Billie Holiday who was and still remains the greatest single musical influence on me. You only go around once, but if you play your cards right, one is enough. Fairytales can come true, it can happen to you if you're young at heart. I'm for anything and for everything that bodes love and consideration for my fellow." As an undergraduate Christina Major developed into a portrait painter. Major has been interested in the ways the identity of both artist and subject can coexist in a portrait. Major also has a desire to combine portrait painting with writing (inspired from her Graphic Design studies) as well as to develop methods of using paint to express a merging of herself with the individual depicted in the portrait. Her creative research focuses on the traditional form of the portrait as a powerful form of representing an individual and how meaning can be expanded through scale, brushstroke, color, texture, composition and the many variables that portraiture deals with. Major looks to expand on the traditional portrait painting...

Sharp edged and sassy from Sax Berlin. A bang on trend, urban street painting with an undercurrent of the darkness of the city. Oil and acrylic on canvas

Flore People Eater 60 x 60 inches Acrylic on canvas Unique work Signed by artist Unframed Part of the current exhibition, Urban Cubism, at Art Angels Gallery street art pop art Keith Hering...