Michele Renée Ledoux

abstract 29/29, Original Signed Contemporary Gray Abstract Encaustic Painting

2021

abstract 40/40 40.0 x 40.0 x 3.0, 23.0 lbs Encaustic Paint Hand signed by artist Description: An orginial, contemporary minimalist painting by Michele Renée Ledoux. Ledoux uses en...

abstract 40/40 40 x 40 x 3 inches. 22 lbs Encaustic Paint Hand signed. by the artist Artist's Commentary: "Like humans, each of these 400 squares, while all being squares, is un...

abstract 40/40 40 x 40 x 3 inches. 22 lbs Encaustic Paint Hand signed. by the artist Artist's Commentary: "My work is very much inspired by Moroccan textile design... how geomet...

BRHHP 25, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #70 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #60 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

This contemporary minimal abstract painting puts emphasis on simplifying the composition. Tone on tone greys builds up a subtle texture with a single, thick white brush stroke commanding attention. Layers of neutrals move the eye around, making for an understated yet engaging outcome. // Andrea Stajan...