N.C. Miller

NC Miller Contemporary Hard Edge Abstraction Painting Southwestern Mountains

2018

An original hard edge abstraction by American artist James Koenig titled "Ribbon Structure". This work created in 1971 will be featured in the u...

An original hard edge abstraction by American artist James Koenig. This piece is featured in Draw Near which is currently on view at Benjaman Gallery.

An original hard edge abstraction by American artist James Koenig. This work titled "Sun" is part of the Draw Near exhibition currently on view at Benjaman Gallery.

An original hard edge abstraction by American artist James Koenig. This work titled "Ribbon Structure #4" is part of the Draw Near exhibition currently on view at Benjaman Gallery

An original hard edge abstraction by American artist James Koenig titled "Cool Triangles. This work is part of Draw Near exhibition which opened at Benjaman Gallery on March 11. Th...

An original American Modern hard edge abstraction by James Koenig. This work titled "Hot Triangles" is part of the Draw Near exhibition currently on view at Benjaman Gallery.

A great strong-edge painting by Naohiko Inukai, No. 16 is part of a series the artist created in the mid 1960s. Many from this series were shown at Inuk...

"Strengths and Weaknesses" is a portrait exploring several elements and strategies that fascinate the artist – notably the performance anxiety induced by simply being an artist, staring down the freight train of art history as it hurtles toward you every time you pick up a brush. Luck? Talent? Maybe. There are signposts and guides in this painting, of course (Cubism! Surrealism! Brancusi! Guston!), but they can clobber you too if you're not careful. Even the phrase "strengths and weaknesses" smacks of compromises and rationalization – deadly to an artist looking to construct their own integral world. "Strengths and Weaknesses" is an acrylic and charcoal on canvas measuring 54" tall by 54" wide. It was included in the artist's solo show "Comedy Cellar" at Freight + Volume Gallery, New York City in July 2018. (See last photograph for an installation view.) From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy) Peter Schenck...

Our shaped canvas which also is a sculptural form in essence for a wall, is a geometric and forward play of optical illusion. Hinman is an important pioneer of exploration in the co...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...