Neha Vedpathak

Charlevoix 2

2019

Robert Natkin For Duke Ellington, 1978 Acrylic on paper mounted on canvas 27 1/2 x 39 1/2 inches RNa005

Robert Yasuda Sustain, 2020 Acrylic on fabric on wood 92 x 2.5 inches RY119 Robert Yasuda is known for luminous multi-panel paintings on carved wood tha...

Robert Yasuda Na Hoa, 2022 Acrylic on fabric on wood 55 x 16 inches RY099 Robert Yasuda is known for luminous multi-panel paintings on carved wood that ...

Robert Yasuda Aloha, 2022 Acrylic on fabric on wood 48 x 32 inches RY111 Robert Yasuda is known for luminous multi-panel paintings on carved wood that transmit and transform light. Notable installations include large, site-specific paintings at MoMA PS1 in an exhibition organized by Alanna Heiss in 2016. The exhibition, titled Forty, was a collection of work by artists who were key participants in the 1970s alternative art spaces movement and the early years of P.S.1 Contemporary Art Center. During the 1970s, Yasuda’s work was showcased at the Museum of Contemporary Art, Chicago; the Clocktower Gallery, New York; and the Corcoran Gallery of Art, Washington, D.C. Early gallery exhibitions include solo shows at Galerie Bruno Bischofberger (Zurich and St. Moritz), 1968 and 1969, and in 1975, the first of five shows at Betty Parsons Gallery...

Robert Yasuda Boundary, 2010-2020 Acrylic on fabric on wood 80 x 50 inches RY106 Robert Yasuda is known for luminous multi-panel paintings on carved woo...

Robert Natkin Apollo #154, 1981 Acrylic on canvas 36 x 40 inches RNa006

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

"Once Upon a Time" is a multimedia large scale 72 piece series by Indian Artist Ritu Sinha. This immersive series tells stories, talks back and forth to each other and the viewer. So...

"View" captures an environment exposed through an obstructions such as streaks on glass. This painting is is part of an on-going series that explores the light and landscape in Tenne...

MORNING captures the soft patterned shadow of leaves peering through a window. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hart...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...