Newel Hunter

Blackbird, Painting, Acrylic on Canvas

2018

This square abstract painting is inspired by Prince's beautiful song Purple Rain. Started in a rainy day under the sounds of the son, it is an emotional interpretation of the artist'...

This one of a kind painting is done in acrylic on paper. Gold accents. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight d...

This one of a kind painting is done in acrylic on paper. Gold accents. I try my best to represent the true colors of the paintings in the photos, but sometimes you can see a slight d...

Acrylic on Canvas. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Loc...

Acrylic on paper. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Locat...

Bold colors and lines cross each other in an interplay that seems to be in motion and leaves the viewer feeling things they cant explain all over the pure colors of fall. The piece ...

Artist/ School: Modern British contemporary Title: Geometric Abstract composition Medium: acrylic on canvas , unframed Canvas : 15.5 x 15.5 inches ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Barbara Kemp Cowlin uses acrylics to achieve the precarious facets of her architectural abstractions. Contradictions proliferate her spaces, disori...

Abstract Piece on canvas. One inch deep. Vibrant colors. Blues. Reds. Yellows. About the Artist: Joanne attended the University of Pennsylvania where she studied as a photog...

Abstract. Vibrant. Painting. About the Artist: "I contemplate every color, mark, and placement of the line to formulate what I call rhythmic velocities: relationships of color and motion that give life to the composition, creating a heartbeat. I am interested in the duality of math and design: through repetition, a line made of color becomes a rhythmic pattern. This concept is found when composing music, organic landscapes and architectural structures. By referencing these sources, my abstractions transcend their formal components, reaching beyond a minimalist canon. My work is composed of hard edges and thin lines set against an abstract field or a pictorial space. Each color has a quickness that is relative to the colors surrounding it; this gives my paintings visual movement and dislocates the viewer. Through linear and geometric forms, my paintings explore design and mathematical concepts found broadly throughout culture. They are improvised from a wide range of sources such as my conversations with scholars in various fields of music, architecture and engineering, my life experiences and travels." Thomas Paul Raggio...

"In these works, Aldrich paints on surfaces that have been covered in uniform vertical strips of caulk. The textures don’t play into the subjects of these paintings so much as create a consistent 3D pattern across the whole surface of a wood panel covered with canvas. Two of the most interesting works in this style give us graphic renderings of domestic interiors laid out in blocks of color and elemental shapes. 'Kitchen Sink' and 'Ironing' depict counters, faucets and ironing boards through a distorted perspective that’s unnervingly deep and narrow, vertiginous and claustrophobic. The caulk brings lots of texture to these works, and Aldrich’s paint appears to be applied in chromatic washes of yellow, pink and blue that seem serene given their off-kilter surroundings. In fact, Aldrich uses the repeating vertical textures to create vividly colored lenticular illusions in these works, which only reveal themselves as viewers move past the paintings. In addition to their formal qualities and their narrative content, Aldrich’s works also comment on traditional gender roles in Western society. Her narrative portraits are mostly inspired by the covers of Nancy Drew novels. Drew, the “girl detective” who first appeared in print as a female counterpart to the Hardy Boys...