Pat McDermott

up against (Abstract painting)

2018

Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude to the world of nature and r...

escape (Abstract painting) Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude ...

analog (Abstract painting) Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly allude ...

now and here (Abstract painting) Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly a...

the digital age (Abstract painting) Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingl...

this candour (Abstract painting) Acrylic on plywood - Unframed. This work is part of the series titled Sonnet Paintings where unrecognizable shapes, forms and textures hauntingly a...

‘PORTAL 4 (COMPASS)’, 2021 by Sarah PICKSTONE - Oil and Acrylic on linen - was exhibited at GALLERY46 show 'KNOCKING IT OUT OF THE PARK' from 5TH NOVEMBER – 12TH DECEMBER 2021 which also included artists JOSHUA ARMITAGE, KLAAS OP DE BEÉCK, YAGE GUO, CHRISTABEL MacGREEVY, ALEXI MARSHALL...

Code U63 is Mixed Media on Panel, acrylic, collage, spray paint, epoxy resin. Size 48″X32″ Date of creation March 2023 Signed, dated on the reverse. The piece is combination of multiple techniques, multiple layers of acrylic paint, geometric abstract, collage, epoxy on the board. First, artists created an abstract background palette in pink, gold, dust pink, violet. After that, artist created larger scale geometric design - diamonds, lines, patterns. Then - another layer of the smaller scale geometric pattern, and finally - very detailed patterns, designs, geometric combinations. The unique antique art patterns transformed by artist into modern geometric abstract patterns. It can be perfect art for bohemian interior, modern, casual and rustic decor. Art belongs to series Code U (Ukraine). It is series of abstract compositions featuring Ukrainian geometric patterns . Symbols, signs, systems and antique patterns used in fashion embroidery for hundreds years by ancestors of Ukrainians. According to ethnography’ research the embroidery symbols hold special vibrations, strength, and energy. Art pieces from Code U series by Oksana Tanasiv belong to private collections worldwide , and to the following museum collections: -The Museum of Imrich Winter, Bath Piestany, EU -The Ukrainian Art...

Charlie Edmiston's work explores the boundaries of form, media, and color in a manner evocative of mid-century modernists. Where his predecessors' explorations are narrowing and subt...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

Acrylic paint on plywood, 2016. Framed. It comes directly from the studio of the artist. This is a very fine example of his abstract art. Measurements: Height 27.95 in ( 71 cm ), Wid...

Laser cut plywood with oil and acrylic on canvas