Pierre Coquet

Composition abstraite/Abstract composition

1983

Reference number A7 Not framed but could be with a natural oak floated frame (add 100 euros) 36 x 36 cm This work is painted with oil on a board. Pierre was very sensitive to abstra...

Pierre Coquet - Abstract Composition Reference number A1 Framed with a natural oak floated frame 70 x 55 cm frame included (65 x 50 cm without frame) Thi...

Pierre Coquet - Abstract Composition in white shades Reference number A202 Framed with a natural oak floated frame 40 x 45 cm (45 x 50 cm frame included) This work is painted with oi...

Reference number A161 Not framed but could be with a natural oak floated frame (add 200 euros) 17 x 44 cm This work is painted with oil on a board. . It is signed and dated 1989 in ...

Reference number A149 Not framed but could be with a natural oak floated frame (add 200 euros) 22 x 44 cm This work is painted on a board. It is signed and dated 83 in the bottom r...

Reference number A148 27 x 35 cm This work is painted with oil on a board. It is signed in the bottom right. Pierre was very sensitive to abstract paintings. He did a lot of abstrac...

Abstract female figure on a blue ground. Monogrammed and dated in the lower centre. Josef Steiner (1899 Munich - 1977 ibid.) lived through a Germany in all its facets as an artist. A...

Exceptional painting on laminate by Luc Peire, Belgian (1916-1994). Signed and dated on back, 1972. Titled "Graphie 2000". Included are two catalogues. Work measures 23.5" x 18".

This diptych painting of black and pink is slightly recessed within a black frame. The left side depicts simple marks using graphite pencil. The image on the right conveys a circul...

Oil on masonite. Signed lower right and on verso. 30 x 24 in. 31 x 25 in. (framed) Custom framed in maple. Louis Leon Ribak was born in the Russian empirical governorate of Grodno in 1902. A long-disputed region that is ethnically Lithuanian, at present day, Grodno is located in the western reaches of the Republic of Belarus, near the borders with Poland and Lithuania. At the age of ten, Ribak and his family immigrated to New York City. In 1922, he attended the Pennsylvania Academy of Fine Arts, followed by studies at the Art Students League (1923) and the Educational Alliance (1924). Ribak’s oeuvre can be largely delineated between two stylistic phases: social realism and abstraction, the former taking hold during the 1930s and 40s. During that period, he had several solo exhibitions at the A.C.A. Gallery in New York, while also regularly exhibiting with “An American Group Inc.” - a cohort of socially-conscious painters that included Stuart Davis, Reginald Marsh, Maurice Sterne, and Raphael Soyer. In 1933, Ribak assisted Diego Rivera on the mural for the lobby of Rockefeller Center, while also being employed by the Works Progress Administration (WPA) as a muralist. Louis Ribak met fellow artist Beatrice Mandelman at a dance sponsored by the Artists Union in New York. They were married in 1942, and shortly thereafter, he was drafted for military service in World War II. After his discharge from the service in 1942 due to difficulties with asthma, Mandelman and Ribak traveled west to visit his former mentor John Sloan in Santa Fe, NM. By this time, the couple had become disenchanted with the art scene in New York, and in light of the need to find a healthier climate for Ribak’s asthma - as well as reputed FBI surveillance based on political affiliations with Communist sympathizers - they decided to permanently relocate to the emerging artists’ colony of Taos, NM in 1944. This change of scenery ushered in the second phase of Ribak’s stylistic career, with his work shifting from social realism toward abstraction. He was captivated by the landscape and the diverse cultures of northern New Mexico, the influences of which began to appear in his work. Ribak founded the Taos Valley Art School in 1947, offering no ideology to his students; instead arguing that the adoption of a single approach would lead to academicism. Ribak was an integral force in the development of the Taos Moderns...

Beautiful oil painting on board, attributed to Eugene Pizzuto (1925 - 2004). Framed size: 32 x 44 cm Framing: Hand-stained and waxed oak tray frame. Signature: Unsigned. * About t...

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...