Richard Merkin

Large Richard Merkin Painting Geeks & Gargoyles New Yorker Magazine Cover Artist

1968

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books...

Genre: Contemporary Subject: Abstract Medium: Mixed Media Surface: Canvas Country: United States commissions for movie advertisements, stage sets, and murals in New Hampshire. Arm...

This is a large hand signed mixed media paiting on Arches French paper. A chess game encounter. Figurative Abstract Expressionist painting. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian border region. He fled the Nazi Holocaust and in 1948 Arrived in Israel via Cyprus, where he studied with Rafael Ben­ Zvi. Studies in Tel­ Aviv with Mordecai Ardon, Aharon Avni, Moshe Mokadi and Marcel Janco founder of the Dada art movement. Studies at The Bezalel Art School, Jerusalem. 1956 Awarded a scholarship by the Israel​ American Fund. In 1991, Roland Topor invited him to participate in the last exhibitions of the Panique group and collaborated in the review Le Fou Parle. Select Group Exhibitions 1950­ 55 Israeli Artists​ Exhibition, Tel­ Aviv Museum 1956 Cimaise de Paris, 1958 "School of Paris", Charpentier Gallery, 1959 Les Grands et les Jeunes Aujourd ​hui Salon National 1960 Les Grands et les Jeunes d ​ Aujourd ​hui Contemporary Israeli Art, Museum of Modern Art, Paris 1961 Russian Artists of the Paris School , Ecole du Paris ​1961​ Salon de la Jeune Peinture, 1964 Salon des Indépendants, Grand​ Palais, Paris 1965 Salon d'Automne, Grand​ Palais, Paris 1966 Lauréat for the Gravure du Prix de la Critique 1967 Biennale, Paris 1970 stay with Theodor Ahrenberg, the eminent Swedish art collector. MILSHTEIN has an exhibition at ARC, in the museum of modern art in Paris. Drawings suspended in a liquid contained in a bottle thus creating a three dimensional effect. 1978 An retrospective exhibition of his etchings engravings is held at the Bibliotheque Nationale; the publication of a book illustrated with 33 drawings : Le rite du chat, on exhibit at Artcurial in Paris. Milshtein has also written several plays and has worked in etching intaglio carborundum, lithograph techniques. listed in adec artprice. He has exhibited at galleries in Germany, France and Switzerland with Theodore Theo Tobiasse, Mane Katz, Raya Sorkine, Avigdor Arikha and Abram Krol. A fine Judaica artist. Since 2007 Milshtein has had his workshop in the Rhône in Gleizé where he also lives. Personal exhibitions 1952: Tel Aviv (Israel), Studio Avni 1955: Tel Aviv (Israel), Museum 1957: Paris, Galerie Saint Placide 1958: Paris, La Cave de la Galerie Saint-Placide - Paris, Galerie Katia Granoff 1959: Tel Aviv (Israel), Museum Dizengoff House 1960: Paris, Galerie Katia Granoff 1962: Tel Aviv (Israel), Chemerinsky Art Gallery - Jerusalem (Israel), Musée National Bezalel —New York (United States), Bodley Gallery - Bat Yam (Israel), Bat Yam Museum 1963: Geneva (Switzerland), Museum of Art and History, Cabinet des Estampes 1964: Paris, Galerie Katia Granoff 1965: Paris, Librairie-Galerie Alexandre Loewy 1966: Paris, Galerie Saint-Placide - Brussels (Belgium), Galerie Le Creuset...

Blind Heads, mixed media painting Tabo Toral, Panamanian (1950 - ) Born Boquete, Chiriquí. Panamanian painter. Studied plastic arts in the United States b...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Pinchas Litvinovsky (Russian/Israeli, 1894-1985) A group of people, Jerusalem Types Hand signed indistinctly (lower right) in English and in Hebrew Verso. Oil on canvas Dimensions 16 1/8 x 51 1/16in Pinchas Litvinovsky (1894-1985) was a prominent Israeli painter, born in the Russian Empire (now Belarus) in Novo-Georgiyevsk, Russia. As a student he visited the Bezalel exhibition in Odessa and met Boris Schatz, the founder of the Bezalel School of Arts and Crafts. Schatz persuaded the young, talented student to study art in Jerusalem at Bezalel. He immigrated to Palestine in 1911, where he became a key figure in the local art scene and was among the pioneers of Israeli art. Litvinovsky studied art in Odessa and later in Paris at the Académie Julian. In the 1930’s he traveled to Paris, France where he encountered the art of Henri Matisse, Pablo Picasso and artists of the Ecole Juif Jewish School of Paris. (Marc Chagall, Modigliani, Chaim Soutine). Litvinovsky worked in many modernist styles, especially Cubism as reflected in the Russian constructivist paintings of the 1920’s His work, which includes landscapes, portraits, and biblical scenes, reflects a blend of European influences and Middle Eastern motifs. He was a member of the Bezalel group of artists and participated in the establishment of the Tel Aviv Artists' House. Throughout his career, Litvinovsky's art evolved, but he remained dedicated to exploring the unique light and landscapes of Israel, contributing significantly to the cultural fabric of the young nation. Select Group exhibitions Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Arie Allweil, Ludwig Blum, Nachum Gutman, Itzhak Frenel Frenkel, Reuven Rubin, Shmuel Schlezinger, Eged - Palestine Painters Group, Allenby Street, Tel Aviv, 1929 Artists: Chana Orloff, Abraham Melnikoff, Sionah Tagger, Elias Newman, A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem, 1940 Artists: Moshe Mokady, Jakob Steinhardt, Anna Ticho, Joseph Budko, Mordecai Ardon, Moshe Castel, Abel Pann, Hermann Struck, Rina Gallery, Jerusalem Artists: Motke Blum, Efraim Fima (Roytenberg, Ephraim) Zelig Segal, David Sharir, Joseph Halevi, David Caftori, Menashe kadishman, Dedi Ben Shaul, Raffi Lavie Exposition des Artistes de Jérusalem Grand Palais, Paris, France Artists: Samuel Ackerman, Marek Yanai, Zvi Tolkovsky, Zvi Miron Sima...

mixed media on paper artwork size: 40h x 30w framed size: 47h x 34.5

mixed media on paper

mixed media on paper

Title: Tiferet Alex Lazard is a Mexican artist and figurative expressionist painter whose work has been exhibited both in Mexico and abroad. Jewish mystical beliefs of the Kabbalah, are recurring themes in Lazard’s paintings which are presented as classic images that recur the need of human nature. Lazard worked with and was influenced by Gilberto Aceves Navarro...

This 210 cm by 220 cm mixed media large-scale painting is one of Lazard's most iconic paintings. Alex Lazard, one of Mexico's most noted contemporary artist today, plays with the material load that he uses in this piece. Using asphalt, marble powder, and oil paint, "This is my representation of time... of the navigation of time in humans and how it never stops being there. This magical painting shows a spiritual, dreamy scenery where Lazard portraits what he sees in the world of "Shaman"... fishes swimming downwards, flying in the background, and the owl flying...

Mixed media on wooden panel