Ivory Abstract
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Robert CollinsIvory Abstract
About the Item
- Creator:Robert Collins (1955, American)
- Dimensions:Height: 24 in (60.96 cm)Width: 24 in (60.96 cm)
- More Editions & Sizes:Frame dimensions: 26 inches wide, 26 inches high, 1.5 inches deep.
- Medium:
- Period:
- Condition:Painting: age-toning. Frame: minor abrasions to corners.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU344388832
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1982
1stDibs seller since 2013
629 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- 'Abstract Landscape, Chestnut and Coral', Venice Biennale, Michetti Prize WinnerBy Gianni PisaniLocated in Santa Cruz, CASigned lower right 'G. Pisani', (Italian, born 1935), titled verso 'Paesaggio con Valigia' (Landscape with Luggage) and dated 1963. Provenance: Galleria El Centro, Naples, Italy 1963. (from original label, copied verso). A very substantial, mid-century abstracted landscape comprising an assembled group of Fendi shopping bags in the fashion designer's signature tones of cream, bistre and scarlet, shown contrasted against a lyrical, sunset-coral background. This powerful and lyrical oil was awarded the 1963 Michetti Painting Prize. Gianni Pisani studied at the Accademia de Bella Arti in Naples under Emilio Notte. Much of his career in the 1960s and 70s involved reinvigorating the Neapolitan art scene with assemblages, ‘object art’ and performance art, an approach that was critically described and acclaimed by poet and writer, Edoardo Sanguineti. The recipient of numerous medals, prizes and juried awards, including the Prize City Cesenatico (1955). Pisani exhibited widely and with success from the early 1950's including at the 8th Biennale of San Benedetto del Tronto (1969), Palazzo Dugnani (1983) and at the Non-Existent Gallery. Other solo and group exhibitions include a three-time participation in the National Quadrennial Art Shows (VIII, Rome, 1960; IX, Palazzo dei Esposizione, 1965/66; XI, Palazzo dei Congressi, 1986) and the 1995 Venice Biennale. An ardent exponent, and influential teacher, of Modernism, Pisani taught at the Academy of Fine Arts of Brera in Milan and, for many years, at the Academy of Fine Arts in Naples, of which he was later appointed director. Gianni Pisani’s works are held in the permanent collections of numerous museums including the Museum of Capodimonte, the Museum of Contemporary Art Donna Regina (MADRE), Museum of Contemporary Religious Art...Category
1960s Abstract Abstract Paintings
MaterialsMasonite, Canvas, Oil
- 'Abstract, Azure and Rose', Paris, Art Students League, Carnegie Institute, OilLocated in Santa Cruz, CASigned lower right, 'Paul England' (American, 1918-1988) and painted circa 1965. With old label, verso, bearing title, 'Gutenburg'. Framed in a period wh...Category
1960s Abstract Abstract Paintings
MaterialsMasonite, Oil
- 'Sunset over Velden, Holland', French Expressionist Landscape, BenezitBy Henri PlasLocated in Santa Cruz, CASigned lower left "H. Plas" (French, born 1933) and dated 1971; inscribed verso "Champs de Velden" (Fields of Velden). A substantial Expressionist oil landscape showing a lyrical view of russet and gold fields bathed in evening sunlight outside the Dutch village...Category
1970s Abstract Expressionist Landscape Paintings
MaterialsCanvas, Oil
- 'Organic Abstract', 1950's Woman Artist, San Francisco Bay Area AbstractionBy Dora MastersLocated in Santa Cruz, CAPainted by Dora Masters (American, 1913-2003) and painted circa 1960. Stamped verso with certification of authenticity. Dora Masters exhibited widely and with success throughout th...Category
1960s Abstract Abstract Paintings
MaterialsOil, Canvas
- 'Burmese Dancers', Large Modernist Oil, Myanmar, Rangoon, SFMA, SFAI, PFALocated in Santa Cruz, CASigned lower left, 'Aung Aung Taik' (Burmese, born 1948) and dated 1981. Exhibited: San Francisco Cultural Center, 1981. A major work by this celebrate...Category
1980s Modern Animal Paintings
MaterialsCanvas, Oil
$22,800 Sale Price20% Off - 'Abstract, Turquoise and Gray', Paris, Picasso, Andre L'Hote, Guernica, BenezitBy Dora MaarLocated in Santa Cruz, CASigned verso with artist monogram 'DM' for Dora Maar (Argentine-French, 1907-1997); additionally impressed, upper left, with Dora Maar Estate stamp, Maison de la Chimie sale, Paris; October, 1998. In addition to her central role as Picasso's model and lover, Dora Maar served as his constant muse during the period of his creation of Guernica for which she also served as model for the lantern-holder, appearing at upper right. Prior to embarking on her two-year relationship with Picasso, Maar had already produced a widely-respected body of work and was celebrated as an influential and cutting-edge photographer. Nevertheless, it is her high-profile relationship with Picasso and her own personality- both in publications about Picasso and in those dedicated to her own life and work- that have acquired particular significance in art-historical literature. Maar's close link to the Surrealists, however, derived from her personal radiance and enigmatic personality as well as to the conscious and politically-informed artistic perspective that underlay her cutting-edge photomontages of the 1930s. Her increasingly radical political views during this period reinforced Picasso's own awareness of the deteriorating international political situation and of the civil war in his homeland. This heightened awareness culminated in the creation of "Guernica', his supreme artistic and political statement of the 1930's. Born in 1907, Henrietta Theodora Markovitch adopted the pen name of Dora Maar during the first years of her photography career. Growing up in Buenos Aires and Paris, she learned to speak French, Spanish and English fluently and, from 1927 on, attended the Art Academy of Andre L'Hote in Montparnasse. At the Academy, she studied painting but, by the end of the 1920s, she had transferred to the Ecole de Photographie de la Ville de Paris. In the early 1930s, she founded a photographic studio together with Pierre Kfer, who was later to make a career as stage designer. Numerous fashion and advertising photography shoots resulted from this collaboration and these were soon followed by her first Paris exhibitions. Dora Maar's photographic style during the 1930s show clear, surrealist characteristics. In her photographs and photomontages, she frequently played with shifting proportions, thus echoing an important feature of surrealist pictures. This tendency was augmented by the combination of disparate objects, which robs the photographs of their character of reflecting extreme reality, converting them to expressions of inner visions and psychic states. In parallel to these surreal photographs, Dora Maar produced sobering documentary photographs of her urban environments in Paris, London or Barcelona. Repeatedly, she records, in her photographs, the underprivileged, the unemployed and homeless, the socially disadvantaged and the physically deformed. It was precisely the simplicity of these photos that enabled Dora Maar to give the day-to-day and the ugly a magnificent monstrosity in which the beautiful and the horrible blend into one another. This recorded reality is thus accompanied by a level of inner associations, fears and visions. This present work, painted in the 1930's, remained in Dora Maar's possession until the end of her life, and shows her early interest in abstraction and her preoccupation with the complex inter-relationships of color and form. This painting is accompanied by a first edition copy of...Category
1930s Abstract Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- Moving 5By Frank ArnoldLocated in Fresno, CA“Moving 5” is 60”x 48”. The vibrant yellow surface tones of this piece are broken in several places allowing random glimpses of Arnold’s dreamlike underpainting for a multi-dimension...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Oil
$58,800 - Oil on Canvas “Back Again”By Frank ArnoldLocated in Fresno, CAFrank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsOil
- Oil on Canvas “A58”By Frank ArnoldLocated in Fresno, CA"A58" is 72” x 66”. The electric blues on black stand out from the figure on a mixed background of medium earth tones and heavy textures. Frank Arnold’s paintings exhibit the highest...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Oil on Canvas "OTL 8"By Frank ArnoldLocated in Fresno, CA“OTL 8” is 60”x 60”. Central figure of Vibrant to deep reds on a split field of warm beige/coral and deep red/black. The foreground exhibits heavy strokes and Arnold’s “8” and “X” fi...Category
21st Century and Contemporary Abstract Abstract Paintings
MaterialsCanvas, Oil
- MentorBy Frank ArnoldLocated in Fresno, CA“Mentor” is 60”x 48” The impasto surface stages a bold sienna figure on a muted blue textured field. Frank Arnold’s paintings exhibit the highest quality materials for a truly archiv...Category
2010s Abstract Abstract Paintings
MaterialsOil
$48,800 - Gone 5By Frank ArnoldLocated in Fresno, CA“Gone 5” is 40”x30” The impasto surface stages muted shades of greys and blue green enveloping the central figure. Frank Arnold’s paintings exhibit the highest quality materials for ...Category
2010s Abstract Abstract Paintings
MaterialsOil
$24,800