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Robert Standish
"Hoodoos" Minimalist abstract expressionist painting

2019

About the Item

In his recent work Standish revisits the essential element of his early style of photorealistic painting, namely, a photo reference, but through his more recent lens of abstraction. Fed up with biased news reporting, Standish sources his imagery from top U.S. and world news stories; often selecting photos from the Internet and various social media platforms associated with polarizing content. By unifying his disparate techniques, he gradually manipulates the palette and texture of the original image to change the representation of its featured subject – and subsequently, the viewer's interpretation of it. Transcendence being a consistent theme of his practice, Standish's newest work is true to his rejection of the finite, and his proclivity for the universal. By unifying his disparate techniques, he gradually manipulates the palette and texture of the original image to change the representation of its featured subject – and subsequently, the viewer's interpretation of it. Transcendence being a consistent theme of his practice, Standish's newest work is true to his rejection of the finite, and his proclivity for the universal. An interview with Voyage LA (April 23, 2018) quotes Standish as saying this about his artwork: “I paint mostly abstracts and occasionally return to photorealism. I’m in awe of the creative force all around us. Can’t think of anything that’s so strikingly omnipresent. Every square inch of our physical universe and all existing life forms contain the elements of shape, texture, pattern, color palette and all of it comes from a process of creation. Painting for me is the opportunity to deeply enjoy and directly connect with that force and hopefully inspire others of the rewards of connecting to its power and beauty.”
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