SF 66-111
View Similar Items
Sam FrancisSF 66-1111966
1966
About the Item
- Creator:Sam Francis (1923–1994, American)
- Creation Year:1966
- Dimensions:Height: 42.92 in (109 cm)Width: 33.08 in (84 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent.
- Gallery Location:Malmo, SE
- Reference Number:1stDibs: G13112532838
Sam Francis
Sam Francis was an American artist known for his exuberantly colorful, large-scale abstract paintings. His practice incorporated elements from Abstract Expressionism, Color Field painting, Impressionism and Eastern philosophy to create a unique style of painterly abstraction.
Influenced by Jackson Pollock and Clyfford Still, Francis is more closely associated to the work of Helen Frankenthaler, as he was more interested in the formal arrangement of the picture plane than the expressivity of the individual artist. “Painting is about the beauty of space and the power of containment,” Francis once reflected.
Born on June 25, 1923 in San Mateo, California, Francis briefly served in the US Air Force during World War II but was injured during a test flight. Returning to California, he received his BA and MA from UC Berkeley in botany and psychology before beginning to pursue a career in art. The artist traveled widely during his career, and he was closely aligned with the Art Informel movement while living abroad in Paris during the 1950s.
Francis died on November 4, 1994 in Santa Monica, California, at the age of 71. He was a founding trustee of Los Angeles’s Museum of Contemporary Art, and his paintings can be found in the collections of the Metropolitan Museum of Art, the Kunstmuseum Basel, and the Centre Georges Pompidou in Paris, among others.
Find authentic Sam Francis art today on 1stDibs.
- SF 89-153.By Sam FrancisLocated in Malmo, SEArtwork size: 67 x 51 cm. Frame size: 112 x 97 cm. Free shipment worldwide. Archive number SF 89-153 in the Sam Francis Foundation. Stamped with the Sam Francis Estate logo and stamped signature on verso. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...Category
1980s Contemporary Abstract Paintings
MaterialsPaper, Acrylic
- Au bout, la lumièreBy Philippe HuartLocated in Malmo, SEArtwork size: 100x70 cm Frame size 116x86 cm Signed, titled and dated on the verso. Acquired directly from the artist. Free shipment worldwide. Working on a variety of perceptual ...Category
2010s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Pen, Graphite
- Le jour se lèveBy Philippe HuartLocated in Malmo, SESigned, titled and dated on the verso. Acquired directly from the artist. Free shipment worldwide. Working on a variety of perceptual levels, Philippe Huart lets one visit his intim...Category
2010s Abstract Abstract Drawings and Watercolors
MaterialsPaper, Pen, Graphite
- Foot MusikBy Roberto MattaLocated in Malmo, SEFrame size 76x78 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/41) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...Category
1990s Surrealist Drawings and Watercolor Paintings
MaterialsGouache, Mixed Media
- Foot Musik.By Roberto MattaLocated in Malmo, SEPastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...Category
1990s Abstract Mixed Media
MaterialsMixed Media
- Foot MusikBy Roberto MattaLocated in Malmo, SEArtwork size: 56 x 58 cm. Frame size: 76 x 78 cm. Free shipment worldwide. Archive number (P90/36) Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...Category
1990s Surrealist Abstract Drawings and Watercolors
MaterialsMixed Media
- Rave Sister XLocated in London, GBRave Sister X, a vibrant watercolour painting on gessoed paper created in 2020, captures the essence of a dance trance in a mesmerizing and abstract manner. This monochromatic artwor...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsWatercolor, Gesso, Paper, Acrylic
- EmoshipLocated in London, GBIntroducing "Emoship," a captivating painting by the esteemed American artist Rafael Melendez, renowned for infusing existentialism and profound meanin...Category
2010s Contemporary Abstract Paintings
MaterialsPaper, Acrylic, Watercolor
- Untitled 07 - Contemporary Abstract Painting, Colorful Framed CompositionBy Dominika KrechowiczLocated in Salzburg, ATDominika Krechowicz is a professor at the Gdansk GUT The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from 2010 to ...Category
2010s Contemporary Abstract Paintings
MaterialsPaper, Acrylic
- Untitled 06 - Contemporary Abstract Painting, Colorful Framed CompositionBy Dominika KrechowiczLocated in Salzburg, ATDominika Krechowicz is a professor at the Gdansk GUT The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from 2010 to ...Category
2010s Contemporary Abstract Paintings
MaterialsPaper, Acrylic
- Untitled 09 - Contemporary Abstract Painting, Colorful Framed CompositionBy Dominika KrechowiczLocated in Salzburg, ATDominika Krechowicz is a professor at the Gdansk GUT The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from 2010 to ...Category
2010s Contemporary Abstract Paintings
MaterialsPaper, Acrylic
- Untitled 05 - Contemporary Abstract Painting, Colorful Framed CompositionBy Dominika KrechowiczLocated in Salzburg, ATDominika Krechowicz is a professor at the Gdansk GUT The Art works from this series are painted with acrylic technique on fabriano watercolor paper. They were created from 2010 to ...Category
2010s Contemporary Abstract Paintings
MaterialsPaper, Acrylic