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Scott Pattinson
Ouvert No 77 - elegant billowing abstraction in gold, cerulean, charcoal

2018

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    By David Sorensen
    Located in Bloomfield, ON
    Painterly bands of light brown and gold, like a field of wheat, are interrupted by two thin lines of deep yellow and umber in this lyrical canvas by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver in 1937, Sorensen studied at UBC and the Vancouver School of Art under Arthur Erickson...
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    2010s Contemporary Abstract Paintings

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  • Triptych - bold, bright, colorful, abstract, modernist, tryptic oil on canvas
    By David Sorensen
    Located in Bloomfield, ON
    Painterly bands of bright lemon, aqua, white and verdant green point to beach, sand and sky in this modernist triptych by David Sorensen. Through his painterly modern compositions, celebrated Canadian painter David Sorensen (1937-2011) sought to “give voice to the inner reality.” In the paintings from his last years, Sorensen offers solutions to the nature of abstraction – wresting nature and the horizon from pure form and brilliant colour. Born in Vancouver in 1937, Sorensen studied at UBC and the Vancouver School of Art under Arthur Erickson...
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    Early 2000s Contemporary Abstract Paintings

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    Canvas, Oil

  • Ocean No. 7 - large, muted, gestural abstract, landscape, oil on canvas
    By Viktor Mitic
    Located in Bloomfield, ON
    At once expressive and ephemeral, this beautiful abstract landscape was created en plein air by Viktor Mitic. As part of the artistic process, Mitic exposed this oil painting to the ...
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    Early 2000s Contemporary Abstract Paintings

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  • Rish and Foses 2 - expressive, colourful, abstract, oil on canvas over panel
    By Mel Davis
    Located in Bloomfield, ON
    In this lyrical abstract work by Mel Davis organic shapes and fluid lines intersect in a playful horizontal composition. Using form and colour-bright blue, red and black contrast wit...
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    2010s Contemporary Abstract Paintings

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    Canvas, Oil, Panel

  • Denouement No 54 - large, vibrant, colourful, gestural abstract, oil on canvas
    By Scott Pattinson
    Located in Bloomfield, ON
    Gestural and vibrant abstract work in rich blue, purple hues with peach and lime pops of color. Critics have called Pattinson's work "exuberant and sizzling", "edgy, innovative, a painter to collect." An exceptional mid-career artist, his works generate energy through both color and form. Framed dimensions are 61 x 81 inches. (b.1974, Toronto, ON) Pattinson studied architecture and urban design at Oxford University and the University of Toronto. Both disciplines inform his dynamic, structural abstract...
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    2010s Contemporary Abstract Paintings

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  • Denouement No 43 - large, bright, colourful, gestural, abstract, oil on canvas
    By Scott Pattinson
    Located in Bloomfield, ON
    This gestural work has a strong graphic quality, with sparse calligraphic black mark making. However, the exuberance in the piece comes from the punctuations of lemon yellow, purple, hot pink, lilac and tangerine. (b.1974, Toronto, ON) Pattinson studied architecture and urban design at Oxford University and the University of Toronto. Both disciplines inform his dynamic, structural abstract...
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    21st Century and Contemporary Contemporary Abstract Paintings

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  • Composition 7777, 2018., 95x100 cm
    Located in Riga, LV
    Composition 7777, 2018., 95x100 cm Abstract composition. Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...
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  • Looking for faith at the party - Contemporary Abstract Painting, geometric
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