Shivani Dugar

The Climb

Born December 12, 1965 in New York City, Michael's father owned a fine art moving business and his mother was a playright/director. They were surrounded by a diverse crowd of artists,such as filmmaker Gary Galsworth and painter Charles Mingus Jr.. Michael’s family moved across the USA, living in Madison and Santa Fe, and finally settled on Whidbey Island in Washington State. He spent his teenage years clearing a six acre plot of land with his family and building a seven sided geodesic dome house. Michael attended The Evergreen State College from 1983-87, studying film and photography. After graduation he took his camera and, over a ten year period, traveled extensively throughout Europe. While travelling he lived with, performed with, and documented circus performers and their communities. With no formal education as a painter, Michael draws on his eclectic past for inspiration - strongly influenced by his travels throughout Spain and France and rich colors and textures marked by time. Michael moved to St. Louis in 2001, where he works as a full time artist and raises his daughter and twin boys - a lifetime dream. His artwork is collected by individuals and corporations worldwide. "My paintings are meditative studies done with rich colors and bold graphic compositions - I often incorporate circles, grids and stripes. The universality and appeal of this symbology pulls the viewer in and holds them there to explore the subtle details. I try to create work that both captivates and calms. I work with abstractions because I want to put forth something universal that can be open to interpretations that are unique to each individual and can continue to evolve over time. A common theme in my painting is the relationship between rigid linear form and the organic flow of nature, order and disorder. I feel this is reflective in many ways of our society and peoples’ longing for something more than the sterility of technology in our modern lives. I believe inclusion of these two elements creates a certain universal harmony in many of my paintings. My pieces are also about the act of painting itself. I explore the physical nature of my materials and push to use unique and original methods of applying them. Many times there is strong evidence of my physical relationship to the canvas as I paint - using my body motion as a natural pendulum and the random arcs of my markings. Other works are done on wood panels that I coat with a plaster mixture and carve into before it sets. The geometrical markings bring to mind old nautical maps...

This piece is framed. Pricing includes the pictured frame. The unframed dimensions are 66 x 42 inches. For Shivani Dugar, nature is sacred. Dugar mimics this belief in her art by c...

This piece is round and is 42 inches in diameter. For Dugar, nature is sacred. Dugar mimics this belief in her art by creating a sacred and tactile space. This series of large canva...

"Blue Moment I" is a mixed media work on canvas, with abstract blocks of cool blue and a shock of expressive yellow. This piece is not yet framed. Pricing includes framing in a bru...

This piece is framed. The price reflects the framed piece. Unframed dimensions: 52 × 52 inches. When in the studio, April Midkiff finds herself drawn to...

This piece is round and is 20 inches in diameter. Aron Hill currently lives and works in Calgary, Alberta. He graduated from Alberta College of Art and Design in 2000 with a BFA in ...

Art pieces of Giorgi Vepkhvadze are Abstract expressionism for modern interior designs for Residential and Commercial spaces. Well suited for New York Apartments and Houses. Artist g...

Untitled 01 [Remains of the Remains 01], 2018 oil on canvas 78 47/64 H x 59 1/16 W in 200 H x 150 W cm The large-sized paintings, signed by Zsolt Berszán...

Origins, 2020 Oil on canvas (3 panels) 72 x 108 x 1 1/2 inches, overall Signed and dated, verso leftmost panel

Sonata 23 Triptych 2017 Oil on canvas (3 panels) 48 x 120 x 1 1/2 inches, overall Signed and dated, verso

Color Symphony 49 Triptych, 2016 Oil on canvas (3 panels) 72 x 120 x 1 1/2 inches, overall Signed and dated, verso leftmost panel

Diving for Pearls, 1986 Oil on canvas 88 x 76 in. (223.5 x 193 cm) Signed, dated, and titled, verso