Stephen Maine

P20-0105, Large Vertical Abstract Painting in Bright Orange, Yellow, Pink, Navy

2020

Clean and precise, carefully ordered stripes and blocks of color in orange, green, pale lemon yellow, gray, blue, purple and brown are lively and vibrant against the soft beige backg...

Thin stripes of color in gradient shades of soft hues, starting with indigo at the bottom and transitioning through a dark charcoal to bright red, crimson, burgundy and orange toward...

Thin stripes of color in gradient shades of soft hues, start with deep purple, navy blue and indigo at the bottom and transition through dark eggplant to burgundy and reddish orange ...

Thin stripes of color in gradient shades start with deep, dark indigo at the top and bottom and transition through navy blue to a brilliant shade of hot pink with golden yellow at th...

A bright multicolored painting with lime green, periwinkle, golden orange, yellow and burgundy red stripes against a luminous light aqua blue background. Signed, dated and titled on ...

Clean and precise, carefully ordered stripes and blocks of color in orange, gray blue, pale yellow, blue and brown are lively and vibrant against the soft beige background. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

Adam Cohen’s glorious abstract painting is a kaleidoscope of bright colours—a heady mix of orange, pinks, purples, chocolate brown, indigo, turquoise blue, and yellow highlighted by ...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Doug Ohlson began his education in a number of small colleges, and a three year period in the U.S. Marines before graduating from the University of Minnesota with a B.A. in fine art....

"Luis Miguel Valdes (Cuba, 1949) 'Andar La Habana II', 2018 acrylic on canvas 59.1 x 106.3 in. (150 x 270 cm.) ID: VAL- "

A large figurative abstract, acrylic and oil on canvas over panel painting execute in purples, blacks, reds, oranges and greens by Annie Lapin. Signed verso, "Annie Lapin".