Hard-Edge Abstract Paintings

Michael Loew (1907-1985). Red Above Blue, 1966. Acrylic on canvas, 39 x 56 inches. Signed lower right. Signed, titled and dated en verso. Excellent condition. Biography: Michael Loew was born in 1907 and was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Student’s League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists, including Max Schnitzler...

Our shaped canvas which also is a sculptural form in essence for a wall, is a geometric play of optical illusion. Hinman is an important pioneer of exploration in the contemporary world, away from the idea of the “square” and flat canvas. He is linked to such artists as Robert Indiana, James Rosenquist, Tom Wesselman and he pre-dated Frank Stella’s exploration of canvas as wall relief structures...

An original American Modern hard edge abstraction by James Koenig. This work titled "Hot Triangles" is part of the Draw Near exhibition currently on view at Benjaman Gallery.

"Rembrandt Woman" is an intriguing painting, a woman in classic Dutch master portrait pose with a hand modestly holding her secrets dear, yet por...

About the series COLOR BOMBS I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of co...

Our shaped canvas which also is a sculptural form in essence for a wall, is a geometric and forward play of optical illusion. Hinman is an important pioneer of exploration in the co...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...

"The Bee Keeper’s Wife" Acrylic on canvas 30"x58” (76x147 cm) This Color Bomb was a direct reaction to an intense stretch of summer weather in the Appalachian mountains where I live...

"Strengths and Weaknesses" is a portrait exploring several elements and strategies that fascinate the artist – notably the performance anxiety induced by simply being an artist, staring down the freight train of art history as it hurtles toward you every time you pick up a brush. Luck? Talent? Maybe. There are signposts and guides in this painting, of course (Cubism! Surrealism! Brancusi! Guston!), but they can clobber you too if you're not careful. Even the phrase "strengths and weaknesses" smacks of compromises and rationalization – deadly to an artist looking to construct their own integral world. "Strengths and Weaknesses" is an acrylic and charcoal on canvas measuring 54" tall by 54" wide. It was included in the artist's solo show "Comedy Cellar" at Freight + Volume Gallery, New York City in July 2018. (See last photograph for an installation view.) From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy) Peter Schenck...

"Woman in Pink, Blue, and Gray" is an acrylic on canvas painting measuring 24" tall by 18" wide. It's very active, with a woman wearing a colorful cap with feather, her tresses falling down behind/beside her, portrayed with cubist abandon as the artist folds in Picasso with Philip Guston... Note all the formal elements are present – her eyes, her smile, her dress and bosom – yet assemble and disassemble in front of our eyes. From Peter Schenck...