Susan Cantrick
sbc 204 (Abstract painting)
2017

Name: sbc 204 (Abstract painting)
Brand: Susan Cantrick
Price: 4290.81 USD
Availability: InStock

About the Item

sbc 204 (Abstract painting) Acrylic on linen - Unframed The artist considers this painting, acrylic on polyester, to be a continuation of the kind of space revealed in sbc 195 and sbc 203: A formal matrix that is prevented from being perceived as merely figure-ground by virtue of its interaction with three separate receding spaces, none of which can be read as the background. Susan Cantrick is an American abstract painter whose primary interest is in painting as a structured visual response to sub-linguistic thinking. Her paintings are analogs of her pre-verbal perception that aim to be as articulate as possible, crystallizing the vitality and complexity of emergent cognition. She lives and works in Paris, France Cantrick’s essentially modernist painterly techniques, merging the gestural with the hard-edged, are mediated by post-modern digital interventions. Her hybrid practice favors a stylistic eclecticism that can belie its coherent underpinnings. The various processes she explores in her work combine elements of structure and freedom. For the last 10 years, she has been painting from digital studies that are generated from photo-fragments of her previous work. The results resemble what she characterizes as “a gamut of genealogies,” paintings that share a common visual ancestry with their predecessors. She recently embarked on the challenge of returning to previously unfinished works, proceeding with new compositions imposed on the already inhabited space. Her various approaches investigate painting as state of mind, process, and object, revealing a connection to ideas about context and the renewal of identity. Alongside her painting practice, Cantrick creates small-format collages mounted on paper and panel that are often composed of alternate applications of paint and ink-jet printed imagery. Beyond a love of color and the sensuality of paint, Cantrick’s process is driven and defined by her convictions about painting as a form of visual thinking rather than narration, illustration, or critique. As a painter, she thinks in terms of materializing the moment of her perceptual experience when thoughts begin to cohere but before they formulate themselves into language. Though she has occasionally used literature or photos from her environment as points of departure, specific external stimuli are rarely referenced. At the same time, she is aware of how the body and landscape have influenced her preoccupation with how to manipulate flat pictorial space -- how best to show its ambiguities and exploit its complexities.

Creator:

Susan Cantrick

Creation Year:

2017

Dimensions:

Height: 39.38 in (100 cm)Width: 39.38 in (100 cm)

Medium:

Linen,Acrylic

Movement & Style:

Abstract

Period:

2010-

Condition:

Gallery Location:

London, GB

Reference Number:

1stDibs: LU65939691842

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Susan Cantrick

Susan Cantrick is an American abstract painter whose primary interest is in painting as a structured visual response to sub-linguistic thinking. Her paintings are analogs of her pre-verbal perception that aim to be as articulate as possible, crystallizing the vitality and complexity of emergent cognition. She lives and works in Paris, France. Cantrick’s essentially modernist painterly techniques, merging the gestural with the hard-edged, are mediated by post-modern digital interventions. Her hybrid practice favors a stylistic eclecticism that can belie its coherent underpinnings. The various processes she explores in her work combine elements of structure and freedom. For the last 10 years, she has been painting from digital studies that are generated from photo-fragments of her previous work. The results resemble what she characterizes as “a gamut of genealogies,” paintings that share a common visual ancestry with their predecessors.

Cantrick recently embarked on the challenge of returning to previously unfinished works, proceeding with new compositions imposed on the already inhabited space. Her various approaches investigate painting as a state of mind, process, and object, revealing a connection to ideas about context and the renewal of identity. Alongside her painting practice, Cantrick creates small-format collages mounted on paper and panels that are often composed of alternate applications of paint and ink-jet printed imagery. Beyond a love of color and the sensuality of paint, Cantrick’s process is driven and defined by her convictions about painting as a form of visual thinking rather than narration, illustration, or critique. As a painter, she thinks in terms of materializing the moment of her perceptual experience when thoughts begin to cohere but before they formulate themselves into language. Though she has occasionally used literature or photos from her environment as points of departure, specific external stimuli are rarely referenced. At the same time, she is aware of how the body and landscape have influenced her preoccupation with how to manipulate flat pictorial space and how best to show its ambiguities and exploit its complexities.