Susan Woldman

Susan Woldman - Midway Blue, Painting 2015

2015

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

DIPTYCH Series: "The DIPTYCH Collection is my way of building something and going big. Of interest to me is being able to see it’s a diptych instead of one big canvass. A horizon lin...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

FLOWERS Series: "I have journeyed through black and white, expanding my visual grip of form, light and reflection. Now the seeds I’ve planted along the way are blossoming into flower...

BLUE Series: "People look at these paintings and ask "Do you live by the ocean?" No. I live in New York City. I've lived here most of my life and I've also been an artist since I can...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

Katrina Revenaugh Day Dream No. 7 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel Year: 2020 Size: 12×12in Signed: On Verso COA provided Ref.: 924802-1939 *on Birch Pa...

Heather Farrell Title : I Blame Eve Materials : Acrylic on birch board Date : 2020 Dimensions : 3' x 4' (36 x 48 in.) Description : Animals and humans often acting the same - same ki...

Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Andrzej Michael Karwacki EQ Redefined, 1600-10-2 Original Abstract Art Mixed Media – Acrylic Paint and Resin on Board Artwork Size: H 91cm x W 61cm x D 5cm Sold Unframed (Please note...