Sylvia Torres

Coastal Fugue #1

Early 21st century

GENTLE CURRENTS 24x24, framed size 25 1/4” x 25 1/4”. Encaustic on cradled board. Description: It’s a dreamlike place, the wind is gently playing with the reeds, a place to find comfort and peace. Here your soul is soothed by it’s tranquility and you are at ease. Sylvia Torres, was born in California one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center,, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, inThousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

12” x 36”, framed size 13” x 37”. Encaustic on cradled board. Description: Extremely delicate and light breeze gently moves the grasses and calms you. You might happily lose yourself time after time. Sylvia Torres, was born in California, one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually, the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, in Thousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live, and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

My paintings are lyrical abstractions inspired by my connection to nature and its elements: form, movement, light, and what I perceive to be its essence – an energy that goes beyond ...

In one of the most vibrant oil paintings from her “Reflection” series, Carole Garland luxuriates in the splashes of colors, heightening nature’s splendor. Mirrored in the stream, the turning leaves are replicated and abstracted in the shimmering waters below. Workshops with Fine Art oil...

My paintings are lyrical abstractions inspired by my connection to nature and its elements: form, movement, light, and what I perceive to be its essence – an energy that goes beyond ...

My paintings are lyrical abstractions inspired by my connection to nature and its elements: form, movement, light, and what I perceive to be its essence – an energy that goes beyond ...

Frank Olt was a artist in residence at P.S1, the legendary Long Island City studio/gallery complex during the late 70s. Olt regards himself largely as a self taught painter, identify...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

A vibrant example of the artist's precisionist style where a tight semi-abstract geometric composition is inspired by architecture and is reduced to simplified geometric shapes with...

Heidi Archer – Noir et rouge is an original oil and acrylic abstract painting with charcoal on canvas board. Inspired by the boats, equipment and ropes in around our local harbour a...

An original encaustic & oil on panel by American contemporary artist Mark Lavatelli. Mark Lavatelli is a Western New York painter, educator, and freelance critic. He earned an A...

Painting of Ernő GOLDFINGER building with Le Corbusier flaking paint from the apartment studio in the painting.