Tamar Zinn

Tamar Zinn "Behind Closed Eyes 23" -- Abstract Oil Painting on Paper

2019

Yolanda Sanchez The Faraway Nearby #4, 2021 oil on paper 30 x 22 (san201) Yolanda’s work is not intended as a narrative or rendering of a subject, she references nature, gardens, fl...

Tamar Zinn Behind Closed Eyes 22, 2019 oil on paper (triptych) 30 x 44 in. This colorful abstract oil painting on paper features loose, painterly swathes of blue and yellow - a clou...

Tamar Zinn Verdant Suite 5, 2021 oil on paper image size: 17 x 17 in. paper size: 22 x 22 in. (zinn1062) This colorful abstract oil painting on paper features layered, painterly swa...

Tamar Zinn Verdant Suite 2, 2021 oil on paper image size: 17 x 17 in. paper size: 22 x 22 in. (zinn1058) This colorful abstract oil painting on paper features layered, painterly swa...

Tamar Zinn Verdant Suite 4, 2021 oil on paper image size: 17 x 17 in. paper size: 22 x 22 in. (zinn1061) This colorful abstract oil painting on paper features layered, painterly swa...

Tamar Zinn Where I find myself 32, 2021 oil on paper Paper size: 19 x 28 1/2 in. Image size: 15 x 26 in. (zinn1056) In this latest series of works on paper, we see the fragmented ge...

This abstract painting of blues and reds on paper has an oceanic feel. An image of a fish is revealed on the left side of the painting. The circles convey the cycle of the seasons....

This small work on paper, of blue and yellow, is an abstracted vision of a summer evening along the ocean. The edge of the painting on paper is angled on one side and the image floats on the surface. The texture of the frame matches...

In "We're Gonna Have a Real Good Time Together" Daniele Galliano finds a new pictorial dimension by staging the decadence of the power classes. Politics, finance, religion, the press...

Firmamento (Boots and Sticks), 2021 Acrylics and oil pencil on paper 10 5/8 x 10 5/8 in 27 x 27 cm

Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

Robert’s work incorporates small poetic texts, often in a childlike manner. She did not utilize conventual tools, such as a paintbrush, but moved the paint with her hands. Though rig...