Items Similar to Mixed Media Gravel Painting, Sculpture Abstract Expressionist Thomas Nozkowski
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Thomas NozkowskiMixed Media Gravel Painting, Sculpture Abstract Expressionist Thomas Nozkowski1973
1973
About the Item
Thomas Edward Nozkowski (American, 1944-2019). Original mixed media abstract composition art utilizing colored rock gravel. Titled, "Gravel Piece." Hand signed on verso, dated 5/73.
Provenance: Collection of the Bass Museum of Art, Miami Beach, Florida (Museum Inventory No. t.13.2000.053.)
Thomas Nozkowski was an American contemporary painter. He achieved a place of prominence through his small scale paintings and drawings that push the limits of visual language. His work appeared in more than 300 exhibitions over the past 40 years. He had more than 70 solo exhibitions, and 24 of his paintings were featured in a large-scale retrospective in 1987 at Corcoran Gallery of Art in Washington, DC
Nozkowski was born in Teaneck, New Jersey and raised in Dumont, where he graduated from Dumont High School in 1961. He spent his youth in the New Jersey suburbs, admiring New York culture from afar before moving there after graduating high school. His father worked in an Alcoa Aluminum factory and then as a postman. His mother worked in factories and as a bookkeeper. One of his aunts was a schoolteacher who gave him and his younger sister art supplies. When he was a senior in high school he won a scholarship to attend a painting class at New York University's School of Education, where he studied with Robert Kaupelis and Hale Woodruff. While he earned his BFA at Cooper Union, Nozkowski was making sculpture. He graduated in 1967. He later transitioned to large scale abstract expressionist painting, and exhibited some of his earliest works in group shows at the storied Betty Parsons Gallery. Richard Tuttle had his first show a year after he began assisting Betty Parsons. Thomas Nozkowski worked for her after graduating from Cooper Union. Between 1949 and 1951. In the course of 36 years, the Betty Parsons Gallery mounted important early shows of Robert Rauschenberg, Kenzo Okada, Richard Pousette-Dart, Leon Polk Smith, Forrest Bess, Sonia Sekula, Herbert Ferber, Seymour Lipton, Eduardo Paolozzi, Alexander Liberman, Barbara Chase-Riboud, Richard Lindner, Agnes Martin, Ellsworth Kelly, John Walker, Patrick Ireland, Robert Murray, Thomas Nozkowski and Richard Tuttle.\ “I give them walls. They do the rest,” Parsons famously said of her artists. Parsons showed his sculptures. In the early 1970s, after several years of making large scale paintings Nozkowski reacted to the macho scale of both Abstract Expressionism and Minimalism, and decided to work small, and on the easel — initially painting on 16-by-22-inch pieces of art-store canvas board.
By 1979, he had found an audience for his work in New York. Through a number of solo exhibitions at 55 Mercer Gallery and Rosa Esman Gallery in the 1980s, along with The Museum of Modern Art acquiring his work in 1982, his reputation for creating evocative drawings, prints, and paintings was solidified.
For more than four decades, Nozkowski painted almost every day, often in his studio in upstate New York. He had over 80 one-person shows of his work, most recently at the Pace Gallery which has represented him since 2008. Among his significant exhibitions were surveys at the Corcoran Gallery of Art in 1987, Ludwig Museum in 2007 and Fisher Landau Center in 2008. Nozkowski appeared in the main exhibition at the 2007 Venice Biennale curated by Rob Storr. He was the subject of a retrospective of works on paper at the New York Studio School in 2003 and a career retrospective at the National Gallery of Canada in 2009. Other exhibitions include, 70 Years of Abstract Painting - Excerpts, 2011, curated by Stephanie Buhmann at Jason McCoy Gallery, New York.
His work was written about and admired by art critics including Peter Schjeldahl, Marjorie Welish, John Yau and Robert Storr.
Nozkowski's long career includes achievements such as a 1993 Guggenheim Fellowship for Creative Arts, a 1999 award for painting from The American Academy of Arts and Letters and in 2008, the President's Citation of Cooper Union. In 2010, Nozkowski was elected to The American Academy of Arts and Letters.
Collections
Metropolitan Museum of Art, New York
Museum of Fine Arts Boston,
Brooklyn Museum New York,
Morgan Library and Museum, New York
Museum of Modern Art, New York
Phillips Collection, Washington, DC
San Francisco Museum of Modern Art.
- Creator:Thomas Nozkowski (1944, American)
- Creation Year:1973
- Dimensions:Height: 8.25 in (20.96 cm)Width: 8.25 in (20.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good overall condition, having normal age commensurate wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3829253552
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,548 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Shaped Collage Painting in Carved Wood Frame Iranian American Contemporary ArtLocated in Surfside, FLAndisheh Avini Iranian-American (b. 1974) Untitled III (2007) Collage of Arabic or Persian Islamic calligraphic script texts. Artist shaped frame Signature stamp and I-20 (New York) gallery label verso Image: 25.25" H x 18.5" W; frame: 27.5" H x 21" W x 1.5" D. Andisheh Avini was born in 1974 in New York. Educated at Hunter College in New York, he has shown consistently in solo and group exhibitions since 2002, including locations in New York, Berlin, Los Angeles, Basel, Madrid and Paris. He currently lives and works in New York. Through his abstract paintings, drawings and sculptures he finds the sweet spot where minimalism, Pop Art, and the political collide. Andisheh Avini is known for his patterned silkscreen painting created on carpet and wood, which are informed by the history and culture of Iran. Avini frequently takes familiar political images and recontextualizes them, prompting the viewer to consider Middle Eastern politics from another perspective. Blending the visual vocabulary of his Iranian heritage with aesthetic and material experimentation, Avini’s work offers a meditation on the experiences and memories that shape our identities. He has used a variety of exotic materials including marquetry or Khatam – a traditional Iranian craft of inlaid wood, crystalline protrusions of actual minerals, peacock feathers, mother-of-pearl and parchment often in abstract geometric compositions, mediums associated with traditional Persian craft— with nods towards Minimalism, Abstract Expressionism, and other Western art movements. He has shown in many prominent galleries including solo exhibitions at Marianne Boesky Gallery (New York), Galerie Frank...Category
Early 2000s Contemporary Abstract Paintings
MaterialsWood, Paper, Ink, Mixed Media
- Large Abstract Wood Sculpture Colorful Wooden Painting John Okulick Wall HangingBy John OkulickLocated in Surfside, FLJohn Okulick, large colorful wood wall sculpture construction "Perfect Harmony" Hand signed and dated, 1999 Dimensions: H: 52 inches:...Category
1990s Contemporary Abstract Paintings
MaterialsMetal
- BILLY, 1975 Constructed Mixed Media Painting, Wall SculptureBy Tom HollandLocated in Surfside, FLBILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...Category
1970s Contemporary Abstract Paintings
MaterialsMetal
- Mixed Media Painting Sculpture Construction 1980s Brazilian Political ArtBy Randolfo RochaLocated in Surfside, FLInteresting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...Category
1980s Pop Art Abstract Paintings
MaterialsPaper, Mixed Media, Acrylic, Wood
- Handmade Paper Collage Sculpture Art Assemblage with String Nancy Genn ModernistBy Nancy GennLocated in Surfside, FLNancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...Category
1970s Abstract Abstract Paintings
MaterialsMixed Media, Handmade Paper
- Israeli Contemporary Abstract Geometric Painted Pierced Sculpture Zigi Ben HaimBy Zigi Ben-HaimLocated in Surfside, FLZigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar ones available. Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel. Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha. Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel. Selected public collections Splendid Step (2003) next to the Tel Aviv Museum of Art Museum of Contemporary Art, Athens, Greece Columbia Museum of Art, Columbia, SC Israel Air Force Center Foundation, Tel Aviv, Israel NASA, Houston, Texas Bank Leumi USA, Fifth Avenue, New York, NY Pfizer Company Collection, New York, NY Reading Public Museum, Reading, PA Guggenheim Museum, New York, NY Haifa Museum, Haifa, Israel Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY New School, New York, NY University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Brooklyn Museum, Brooklyn, NY Malmö Museum, Malmö, Sweden. Jewish Museum, New York, NY Tel Aviv Museum of Art, Tel Aviv, Israel. Museum of Fine Arts, Ghent, Ghent, Belgium. National Gallery of Art, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY Buscaglia-Castellano, University Museum, Lewiston, NY Dan Eilat Hotel, Israel. International Paper Company, New York, NY World Bank, Washington D.C. Westminster Bank, New York, NY Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ Heckscher Museum of Art, Huntington, NY Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio Group Exhibitions Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...Category
1980s Abstract Geometric Abstract Paintings
MaterialsMetal
You May Also Like
- Elegant White Abstract Art for Modern SpacesBy Arozarena De La FuenteLocated in Mexico City, MXThis is an elegant yet modern and abstract work of art. The two artists were inspired by the ups and downs in life. How there is always a light shinning at the end of the tunnel and ...Category
2010s Contemporary Abstract Paintings
MaterialsSandstone
- “Pen Decline 1 - 2 - 3 in Black” (Archeology series) Computer Keyboard SculptureBy Daniel FiordaLocated in New York, NYDaniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...Category
2010s Contemporary Abstract Paintings
MaterialsConcrete
- Elegant Ceramic Wall Art Composition for Color LoversBy Arozarena De La FuenteLocated in Mexico City, MXThe two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...Category
2010s Contemporary Abstract Sculptures
MaterialsSandstone
- “Pen Decline 1 - 2 - 3 in Grey” (Archeology series) Computer Keyboard SculptureBy Daniel FiordaLocated in New York, NYDaniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...Category
2010s Contemporary Abstract Paintings
MaterialsConcrete
- Beautiful Aqua Ceramic CompositionBy Arozarena De La FuenteLocated in Mexico City, MXThe two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...Category
2010s Contemporary Abstract Sculptures
MaterialsSandstone
- WAVES. Inspired in nature, sand textures, contemporary art.By Arozarena De La FuenteLocated in Mexico City, MXThis piece was inspired by nature, it resembles the constant ocean movement and water formations represented in waves. The artists used sand, resin and pulverized minerals in order t...Category
2010s Contemporary Abstract Sculptures
MaterialsSandstone
Recently Viewed
View AllMore Ways To Browse
Thomas Gallery
Thomas Hand
Thomas Vintage
Thomas Day
T Thomas
Thomas Hand Painting
Robert Thomas Paintings
T Thomas Painting
Retro Painting Easel
Large Irish Paintings
Large Ireland Painting
Robert Stone Painting
Small Painting Easel
Thomas Irish
Vintage Studio Easel Easels
Vintage Studio Easel
Vintage Art Supplies
1980s Wall Mount Sculpture