Thomas Sionnach

Turbulence.

2017

Diptych. Each work is 23.6 by 11.8 inches in size About the Artist: Art Decorator, working in contemporary colors for interiors. Work is located overseas, upon purchase the timefra...

Flirt. About the Artist: Art Decorator, working in contemporary colors for interiors. "I love to draw from an early age, so my profession was predetermined. After graduating from Art School in 1993, I started working as an illustrator in a printing company. That experience led to a second profession as a textile designer. Since 2010, I have devoted myself completely to my creative endeavors and began to create paintings for my clients' interiors. My works are now included in private collections in The USA, Spain, Russia. The style of my work is an abstract vision of ordinary people...

Marilyn Monroe - abstract painting made in pink, turquoise, blue beige, white, brown color. About the Artist: Art Decorator who are working in contemporary colors for interiors. "I...

About the Artist: Art Decorator, working in contemporary colors for interiors. Work is located overseas, upon purchase the timeframe for the fastest delivery will be discussed.

Thank you For Seeing Me forms part of my ongoing series called I'm Still Here. In this series I create paintings that are inspired by all the people in my life that I have made an im...

SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...