Jessica McCambly

Self Soother 12, Square Sculptural Painting in Gold Leaf, Mica, Pale Pearl Blue

2020

Futuristic botany is the focus of this fantastical landscape by Peter Hamlin in acrylic ink on linen. Meticulously detailed flowers with yellow and orange blossoms and bright green...

Clean and precise, carefully ordered stripes and blocks of color in pale mint green, light blue, brown, beige and burnt orange complement the soft gray and beige background. Signed, dated and titled on verso. Elizabeth Gourlay’s work is a meditation on color and form, a gradual yet progressive analysis leading to a complex vocabulary of shapes, color and line. Musical composition, emotional states and our collective subconscious resonate within bars, lines and blocks of color. The abstract forms emerge, layer and shift in precisely ordered, carefully composed rhythms. The artist contemplates the elements that make color in reduced forms come to life: size, flatness, relation to its edges, and how the presence of other colors affect how it is perceived. Gourlay draws inspiration from shapes found in everyday life and in her studio. The observed shapes either remain as they are or become simplified to their essential geometric elements. Subtleties in color, area, edge or orientation are the catalyst for emotive responses. Palette is minimized; the artist rarely uses a wide palette within one work. Rather, a broad range of colors are explored and then reduced. Gourlay investigates color properties: complementary or analogous color, value, saturation and color harmony vs. color anomaly. Elizabeth’s Gourlay’s work has been shown extensively throughout the United States. The artist is the recipient of numerous residencies, fellowships and awards including Artist in Residence at the studio of Sol LeWitt in Spoleto, Italy. Gourlay’s work has been written about in The New Criterion, Painters’ Table and Gorky’s Granddaughter, to name a few. Gourlay earned her MFA at Yale University School of Art, New Haven, CT, and her BA from Edinburgh...

In this abstract painting in flashe and ink on canvas by Elizabeth Gourlay, clean and precise, carefully ordered stripes and blocks of color in soft blue, pale sage green, beige and ...

An abstract geometric pattern is composed of thick curving lines in peachy pink and pale pinkish orange, bright and luminous against a pale mint green background. A semicircle and tw...

Carefully ordered blocks of color in bright, gradient hues in bright shades of golden yellow and light gray surround a deep, dark violet center. Signed, dated and titled on the verso...

Geometric shapes compose a pattern of thick lines curving downwards at the center in shades of gray blue to indigo, framed by bright and luminous light pink and pinkish coral curved ...

'Opal Painting (gold)' 2018 by Catherine Howe. Fluorescent & mica pigments in acrylic mediums, 24K gold leaf gilded on canvas, 30 x 30 in.. This painting features Howe's signature ab...

Available at Madelyn Jordon Fine Art. 'Blue/Gold Mica Painting (Flower Float No. 3)' 2023 by Catherine Howe. Interference pigments, acrylic, glass micro beads, aluminum leaf, and whi...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and original uses of media. Through a combination of paint ...

Charlotte Elizabeth has been working with paint professionally for over fifteen years. Elizabeth’s training in theatre design preceded a busy career as a Theatrical Scenic Artist in ...

Acrylic, pigments & gold leaves on wooden panel

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...