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'Portrait of a Man Playing Guitar', Berlin School (circa 1960s)

circa 1960s

'The Power of Words', oil on board, Berlin School, (circa 1950s-1970s). A thoroughly modern depiction clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism...

'Man Smoking a Pipe', oil on carton (circa 1960s), by Raymond Debiève. The artist depicts a moustached man puffing on his pipe in his post-cubist style. The identity of the subject i...

'Untitled Cubist Figure', oil on board, by STM (circa 1970s). A vibrant modern painting inspired by Picasso and Braque, the artist uses angles, lines and...

'Portrait of a School Boy', oil on board, by Peter Robert Keil (1983). Big, bold with brash brush strokes painted in exuberant colours is the trademark of the artist. Strangers, frie...

'The Harlequin', oil on board, by Richard Mandin (1952). Harlequin's traditional diamond patterned costume, bicorn hat, and the wooden sword that denoted his buffoonery have appealed...

'Abstract Prism: Radiant Cubist Figure', oil on board, by STM (circa 1970s). A marvellous late mid-century, medium-sized painting by an artist with the initials STM. Clearly inspired...

Le Comte “The Count” - This artwork depicts the 19th century poet, Lucien Ducasse, also known as Comte de Lautremont. After being enthralled by the literary work “Le chants de Maldoror” in one night, the artist dreamt of the poets face and was compelled to bring it to life on canvas. The portrait has a classic setting as “Mezzo Busto”, or half bust, and exudes timeless sophistication through the bold use of color and dense oils, creating a three-dimensional effect and giving immense life to the character. ABOUT THE ARTIST - Massimo Damico...

Fertility Goddesses, original abstract figurative painting, vintage 1950, by 20th century Denver modernist artist, Edward Marecak (1919-1993). ,Three nude female figures with fruit. ...

This abstract portrait by Ned Martin blends realistic and abstracted styles. Part of his Spirits Through Time series of female portraits, the woman's face is rendered realistically, ...

This painting by Ned Martin blends the artist's signature abstract style with portraiture that is reminiscent of the Old Masters. The softly-executed realistic face and neck of the woman in this painting is contrasted by textured, abstract shapes that compose the rest of the piece, namely, the figure's large, deep red headpiece...

This painting by Ned Martin blends the artist's signature abstract style with portraiture that is reminiscent of the Old Masters. The softly-executed face and neck of the woman in this painting is contrasted by textured abstract shapes that compose the rest of the painting, namely, the figure's orange, red, and green clothing...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a degree in philosophy from the Sorbonne, Paris. Returned to Budapest to study art at the Fine Arts Academy, then continued his studies at the Academie Julienne, Paris, where he was influenced by the post impressionist artists including Picasso, Salvadore, Dali and Chagall. His motto was “history is the inevitable conveyance of great situations by great personalities.” He came to England due to the Hungarian uprising in 1956 where he taught history of art and art appreciation. Started receiving commissions for book and commercial illustrations in 1961. Keywords: Oil, Abstract, Mid 20th Century, mixed media, The Death of the Minotaur, mythical, wood, techin, hand, 2 headed snake...