Voskan Galstian

Arising, Original Acrylic Painting, Ready to Hang

2022

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Contemporary Art, Subject: Carmel by the Sea...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Abstract Art, Subject: Pearl Harbor...

Artist: Vahagn Ghaltaghchyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Abstract Art Year: 2023 Title: Desert Eye Size: 36" x 36" x 1'...

Artist: Vahagn Ghaltaghchyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Abstract Art Year: 2023 Title: Our Home Size: 48" x 36" x 1'' ...

Artist: Vahagn Ghaltaghchyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Abstract Art Year: 2023 Title: Pink Bloom Size: 36" x 27" x 1'...

Artist: Vahagn Ghaltaghchyan Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Abstract Art Year: 2023 Title: Naturmort Size: 24" x 30" x 0.8...

CLOUD VEIL By SPENCER VERNEY 36”x36” Oil on stretched canvas 2019

By David Gamero 36.25 x 25.75 Oil on Canvas

Louis Recchia's (US based) "Modern Gallery" is an original, handmade oil painting on canvas. About the Artist: Louis Recchia has been producing contemporary art in Denver for over ...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...