Adam Mysock

So Abram departed, as the LORD had spoken unto him

2011

“Moses and the Burning Bush” by Sébastien Bourdon (1642-45) and “Evening at Medfield, Massachusetts” by George Inness (1875) Framed: 12h x 18.50w in This image begins with two allus...

full title: And Abraham looked toward Sodom and Gomorrah, and toward all the land of the plain, and beheld, and, lo, the smoke of the country went u...

After: The Young Beggar by Bartolomé Esteban Murillo (c. 1645-50) and Approaching Thunder Storm by Martin Johnson Heade (1859) The main character of this painting finds himself mired in a pond as a sizeable storm approaches, and yet – instead of standing up and removing himself from the trouble – he chooses to focus on the discomfort of his wet clothing. This child, attending to a minor nuisance rather than enacting a permanent solution, stands in as an icon of our current sociopolitical leadership – leadership which has defined our modern reality by its preference for constantly kicking the can on major issues (climate change, income inequality, various forms of discrimination, and so much more) as the rest of us are left to watch from the shore. ADAM MYSOCK was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specialized in the manufacturing of pigments. On account of a steady stream of folk tales from his mother and his father’s vividly dyed work clothes, he developed an interest in narrative and representative painting from an early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History in 2004 from Tulane University and an MFA from Southern Illinois University at Carbondale in 2007. After his studies, Mysock taught at the university level for nearly a decade, including as a Professor of Practice at Tulane University. In 2016, he and his family moved back to Cincinnati, where he currently serves as coordinator for Manifest Drawing Center. Mysock’s work has been exhibited throughout the country and is in private collections across the US, including the 21c Museum, Beth Rudin DeWoody, Ruslan Yusupov, Thomas Coleman and Michael...

after: Sanford Gifford's "the Desert at Assouan, Egypt" (1869) and Ilya Repin's "Procession in the Province of Kursk" (1881-1883) Framed 7h x 14w in I began this piece with the inte...

Oil on wood panel

Men working together to put a fishing boat out to sea, featured in this moody grey blue water themed painting from California artist, William Rushton. Whether figurative or landsca...

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best known for his industrial, waterfront scenes of New York between 1930-1970, Berger effortlessly captures a period when the technology and landscape of the city was rapidly changing. Although he paints scenes of a bygone era, Berger draws inspiration from the waterfronts near his home in New York’s Hudson River Highlands as well as historical sources in museums. Berger holds BFA and MFA degrees from Alfred University. Earlier in his career, the artist painted representational landscapes rendered in watercolor, a medium in which he achieved great success, sharing a sellout two-person show in Tokyo with Andrew Wyeth. In the mid-2000s, Berger transitioned to his signature industrial scenes of the city, employing oil on panel in a painterly manner influenced by the Hudson River and Brandywine schools...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...