Albert Marquet

Maisons à Billancourt

KEES VAN DONGEN (ROTTERDAM, 1877 – MONACO, 1968) Nature morte avec poupée 1908 Période fauve Huile sur toile 61 x 46 cm. Signée en bas à droite « Van Dongen » et inscrit « Margoden » au dos. Provenance Collection Ezra et Cécile Zilkha. Cette œuvre sera incluse dans le Catalogue raisonné digital Van Dongen en cours de réalisation par...

ALBERT MARQUET (BORDEAUX, 1875 – PARIS, 1947) Audierne, les tonneaux Vers 1940 Huile sur toile 49,8 x 61 cm. Signée en bas à gauche Certificat Wildenstein Institute Provenance Mme Albert Marquet (par descendance de l’artiste) ; Vente Mac-Arthur Kohn, Paris, 17 décembre 1997, lot 33 ; Guy Heytens, Monaco (acquis par vente chez Sotheby’s, Londres, 28 juin 2000, lot 154) ; Collection privée, Connecticut ; Vente Christie’s, New-York, 10 mai 2007, lot 302. Suivant une composition subtilement géométrique, ce paysage portuaire s’organise autour de l’axe central d’un fanal marquant l’entrée du port. A sa base, le quai se déploie en angle droit, formant une pointe saillante dans la toile. De part et d’autres, sur la mer des embarcations aux mâts parallèles et d’un même jaune que le fanal...

EUGÈNE BOUDIN (HONFLEUR, 1824 – DEAUVILLE, 1898) Nature morte au coquetier renversé Vers 1856-60 Huile sur toile 56 x 81 cm. Signé « E. Boudin. » (en bas à droite) Provenance Collection Bonvoisin, Montivilliers (commandité et acquis auprès de l’artiste). Max Bonvoisin, Étretat (par descendance, avant 1951). Collection de Tissot, France. Collection particulière (avant 1973). Vente, Me Libert, Paris, 4 décembre 2009, lot 39. Galerie Schmit...

JEAN-BAPTISTE CAMILLE COROT (PARIS, 1796 – PARIS, 1875) Coubron Vers 1870-1873 Huile sur toile 55 x 40 cm. Signée en bas à droite Certificat Lebeau et Dieterle Publication Œuvre reproduite dans le catalogue raisonné et illustré d’Alfred Robaut et dans le deuxième supplément à « L’œuvre de Corot », publié par André Schoeller et Jean Dieterle. Les...

EDGAR DEGAS (PARIS, 1834 – PARIS, 1917) Fillette portant des fleurs dans son tablier Vers 1860-62 Huile sur toile 73,3 x 55,7 cm. Signée en bas à droite « Degas » PROVENANCE Vente d...

JEAN-BAPTISTE CAMILLE COROT (PARIS, 1796 – PARIS, 1875) Le Fermier de Pithiviers Vers 1840 Huile sur toile 35 x 46 cm. Signée en bas à droite Certificat de la galerie Brame & Lorence...

A beautiful oil painting by French artist Louis Valtat. Featuring a colorful display of a flower bouquet of dahlias.

Peinture à l'huile sur bois par l'artiste Etienne François. Présenté par la Collection Haensel Leith. Etienne François est un peintre français, basé à Montreuil. Son esthétique est une rencontre entre la peinture contemporaine...

Adriana Pincherle, (1905, Rome - 1996, Florence). A lady with a turban and green shadows in a landscape. Italian female painter, active in Rome and from 1943 in Florence. Painting signed and dated lower right: Adriana Pincherle. 1973. Oil painting on canvas. The simple composition, which represents a woman from behind, bears the influence of Matisse's avant-garde style, with bold and refined color combinations. The shape is created with color, creating an almost surreal and highly expressive effect. The painter once said: "My painting has always been figurative, not realistic. In this sense I felt very similar to the Informal movement, which, fundamentally, pushed my passion for color to the extreme." FREE SHIPPING in Italy and Europe Artist Biography: Pincherle Adriana Rome 25 December 1905 - Florence 8 January 1996 Adriana was born in Rome on 25 December 1905, into a family in which two cultures were intertwined: the Jewish one of her father, the engineer Carlo Pincherle, of Venetian origins and in love with painting, and the Catholic one of her mother, Isa di she. De Marsanich, a noble but decayed Hungarian. Adriana is the eldest child and two years older than her brother Alberto, known to the literary world under the pseudonym Alberto Moravia As Pincherle herself says about her, as a child she spent hours admiring her father who painted watercolours, and it was perhaps then that her interest in drawing and above all her particular sensitivity towards color was born. Thus, having completed her classical studies, she began to attend the "ladies" atelier of the engraver Alfredo Petrucci and the free nude courses at the Academy, where she met Mimmo Spadini and Scipione, and came into contact with Roman art. In 1931 she made her debut at the collective "First Roman exhibition of female art" at the "Galleria di Roma", while the following year, at the same gallery, she exhibited a solo show together with Corrado Cagli, already attracting the attention of critics, famous comment by Longhi, cited several times by Pincherle herself, who prefers the "sissy" between the two artists. As evidence of the results achieved by Adriana since her first works, we remember that among her works presented in 1932 there was also the famous "Standing Self-Portrait", now in the Uffizi Pincherle's growth passes through places and periods common to both the Roman School and the school of painters of the via Cavour group (Mafai, Raphaël, Scipione), with tangents and deviations, but his pictorial research arrives at original solutions independent of any label . Fundamental to the maturation of her art was her stay in Paris in 1933, in which Pincherle admired and studied closely the Fauves, Renoir and in particular Matisse. In the same year she exhibited for the first time in Florence at the Sala d'arte delle Nazioni with Milena Barilli...

Madeleine BERLY VLAMINCK (1896-1953) Femmes dans le jardin Oil on canvas Size: 65 x 81 cm Signed lower right Provenance: Private collection in Normandy. Oil on canvas in good co...

Vian Shamounki Borchert is an award-winning contemporary expressionist artist.V. Borchert has exhibited in many group and solo exhibitions nationally within the US and internationally. The National Gallery of Art in Amman, Jordan has her artwork in their permanent collection. Vian is a graduate and “Notable Alumni” from the Corcoran College of Art and Design George Washington University, Washington, DC. Vian considers her expressionistic and abstracted art as visual poems. Vian Borchert’s art has been on exhibit in prestigious places such as the United Nations General Assembly’s Public Lobby Gallery, NYC, and in “Art Basel Miami Beach” Spectrum Miami, 1stdibs Design Center in Chelsea, NYC. Borchert is represented by galleries in major world cities such as NYC, LA, and the DMV area. Borchert’s art has been featured in many press such as The Washington Post, Metro Weekly magazine, Elan magazine, Artist Portfolio Magazine, D’art International Magazine, ART PLUGGED...

Oil on canvas