Alexander Charles Stuart

Full Rigged Ship GATHERER

Circa 1874

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

Sought by collectors worldwide, art and artifacts showing an early western presence in the Orient boomed with the opening of the China Trade by way of the sailing ship. The surviving paintings which capture the important Chinese harbors...

This large and exciting scene features an American Revolutionary War battle in Chesapeake Bay. With great color and lively brushwork this painting was done at a large scale which captures a grand vista of the Bay along with many small vignettes to draw the eye. No less than ten other ships surround the two combatant vessels as they exchange cannon fire...

This bright and serene scene of ships unloading off San Diego, California features a ship with a less than quiet history. The painting shows a typically bright and sunny Southern California day, the deep blue waters of San Diego providing the perfect backdrop for unloading crucial lumber for construction. The painting has Thimgan's eye for detail including the historic ship he's depicted, surely with a knowledge of her history, and his ability to so perfectly depict California's coastal landscape and surrounding waters. Some ships of legend get their reputations not for speed or daring rescues, but for the amount of chaos which happens onboard. Sailors, being generally a superstitious lot, could spread a ship's reputation like wildfire. As with the supposedly haunted places on land, the odd instances become larger tales whispered over strong drink in port or at worst, printed in bold newspaper headlines. The best crews don't want to serve aboard such vessels, so only the most hardened men sign on. Tempers flare and conditions deteriorate. Over time a ship gains the nickname of "hell ship" or "blood ship." This was the fate of the Bark HESPER. HESPER was purpose built in 1882 for the Pacific "Triangle Trade" - carrying lumber to Australia, coal to Hawaii and sugar to California, though she took on other cargoes in her career. The wooden bark of 603 tons was built by the Halls Brothers...

“Mod 7” is 20”x 16”. The heavy handed application of pigment renders an impasto portrait from another place in the deeper mind of the artist. Frank Arnold is one of the foremost abst...

" Arroyo 14" is 72” x 60”. A rich sienna and ochre figure centered on a textured field of light yellows and beige. Frank Arnold’s paintings exhibit the highest quality materials for ...

" Black 5" is 36” x 36”. Solo figure, head and shoulders in bold white outline. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, created to ...

“Center” is 60”x48” The impasto surface stages a range of yellow and gold earth tones. Frank Arnold’s paintings exhibit the highest quality materials for a truly archival piece, crea...