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Alexandra Rozenman"Alone", contemporary, abstract, landscape, green, blue, purple, oil painting2011
2011
About the Item
“Alone” by Alexandra Rozenman is a painterly and playful blue, green and violet abstracted landscape in oil paint on linen measuring 58 x 60 x 2.5 inches that makes us wonder how many beautiful places there are on this planet. It is clearly divided into three sections, but has no horizon line that defines either one of them. It is from Rozenman’s series of 2008-2011 called "Landscapes without Horizons". We think about a landscape right away because of the color palette. Blues, greens and light purple beautifully transform into each other and back helping us hear the river moving. The small indistinct shape of a purple boat in blue water sets on its way and follows her own path... alone. This painting is oil on linen, initialed on the front and signed, titled and dated on the reverse. The 2.5 inch sides are painted blue-purple.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2011
- Dimensions:Height: 58 in (147.32 cm)Width: 60 in (152.4 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Natick, MA
- Reference Number:Seller: Rozenman_Alone1stDibs: LU50033125523
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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