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André Hambourg
Scène de Plage par Beau Temps, 1962

$9,832.37
£7,150
€8,417.25
CA$13,463.80
A$14,969.18
CHF 7,835.46
MX$183,592
NOK 99,765.24
SEK 94,190.21
DKK 62,812.30
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About the Item

A luminous celebration of summer leisure. Hambourg’s Scène de Plage par Beau Temps captures the gentle bustle of a sunlit beach, where figures relax on the soft sand and sailboats drift serenely across the shimmering sea. This charming scene evokes the timeless joy of coastal life, framed by an expansive sky brushed with delicate hues. André Hambourg was one of twentieth-century France’s most lyrical interpreters of land, sea, and sky. From the misty harbours of Honfleur to the sun-washed shores of North Africa, his paintings evoke a world of movement, atmosphere, and poetry. Working in the tradition of the Impressionists but with a distinctly modern energy, Hambourg developed a signature style defined by expressive brushwork, luminous colour, and expansive skies. His compositions celebrate the harmony between man and nature, infused with a profound sense of place and the painter’s personal joy in observation. Across seven decades, he produced an enduring body of work that resonates with collectors and institutions alike. Born in Paris in 1909, Hambourg was shaped by the city’s artistic currents from an early age. He began his studies under the sculptor Paul Niclausse before transferring to the studio of Lucien Simon at the École des Beaux-Arts, where he immersed himself in the tradition of French academic painting while simultaneously gravitating toward the emerging movements of the early twentieth century. At just nineteen years old, Hambourg held his first solo exhibition at the Galerie Taureau in Paris in 1928. It was a critical success that established his reputation and led to his acceptance at the Salon des Indépendants and the Salon d’Automne, two of the most influential platforms for progressive art in interwar Paris. Hambourg’s artistic trajectory shifted in 1933 when he was awarded the Prix de la Villa Abd-el-Tif, granting him the opportunity to live and work in North Africa. Over the next decade, Algeria and Oran became central to his practice, offering a profound revelation: the raw power of light. In the intense North African sun, Hambourg found the perfect subject, not just the landscape, but the dance of light across it. His palette expanded, his brushwork loosened, and his fascination with the visual effects of brightness, shadow, and movement began to define his mature style. In 1946, Hambourg resumed his artistic practice with renewed vision and was soon appointed official painter to the French Navy. This role enabled him to travel widely, to the Mediterranean, North Africa, the Middle East, the Americas, and beyond. From these journeys he returned not only with sketchbooks brimming with visual notes, but with a reawakened sense of the sea’s poetry: vast skies, endless horizons, and ever-shifting reflections. Hambourg’s mature style is characterised by fluid, expressive brushwork and an instinctive approach to colour. His technique blends Impressionist structure with Fauvist vibrancy, delivering a lyrical quality that never strays into sentimentality. There is a confidence in his handling of paint, a swiftness that captures both movement and emotion. While his surfaces appear spontaneous, they are underpinned by careful study and subtle compositional rigour, often built on location and completed in the studio. A key feature of Hambourg’s compositions is the dominant sky. Whether over a Venetian lagoon, a Provençal coastline, or the beaches of Normandy, the sky in Hambourg’s work becomes a living force. His skies swirl, stretch, and pulse with light. Below them, beaches and boats and figures are rendered with rhythmic, gestural strokes, capturing the joyous informality of summer days or the atmospheric hush of approaching dusk. While Hambourg’s subjects vary from the romantic architecture of Venice, to the bustling ports of the Mediterranean, his most beloved scenes are his luminous beachscapes and marine vistas. These works convey both immediacy and timelessness. The breeze in a figure’s dress, the glint of sunlight on wet sand, the slow drift of boats, all are painted with a lightness of touch and emotional warmth. Even in the most expansive of scenes, Hambourg maintains an intimacy with his subject. The viewer is not simply observing the beach; they are present within it, feeling the salt air, watching the play of children, noting the flutter of parasols. This experiential quality is what makes Hambourg’s work resonate so deeply with collectors. His paintings offer not only visual pleasure, but a return to memory: to holidays past, to the rhythms of the sea, to the poetry of looking. André Hambourg’s work is held in major museums and public collections, including the Musée National d’Art Moderne in Paris, the Eugène Boudin Museum in Honfleur, and the European Courts of Justice in Luxembourg. His long and prolific career—spanning more than seventy years—was marked by both official recognition and public affection. As a painter of the French Navy, he continued a legacy that reached back to Boudin and Courbet, while infusing it with a distinctly modern sensibility. For collectors, an André Hambourg painting is more than an evocation of light or place, it is a portal into an artist’s lifelong dialogue with beauty, nature, and travel. His canvases do not simply represent the world; they interpret its radiance. In every sky he painted, and in every tide he traced with colour, Hambourg captured something fleeting and essential, a vision of life bathed in light.

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