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André HambourgScène de Plage par Beau Temps, 1962
$9,832.37
£7,150
€8,417.25
CA$13,463.80
A$14,969.18
CHF 7,835.46
MX$183,592
NOK 99,765.24
SEK 94,190.21
DKK 62,812.30
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About the Item
A luminous celebration of summer leisure. Hambourg’s Scène de Plage par Beau Temps captures the gentle bustle of a sunlit beach, where figures relax on the soft sand and sailboats drift serenely across the shimmering sea. This charming scene evokes the timeless joy of coastal life, framed by an expansive sky brushed with delicate hues.
André Hambourg was one of twentieth-century France’s most lyrical interpreters of land, sea, and sky. From the misty harbours of Honfleur to the sun-washed shores of North Africa, his paintings evoke a world of movement, atmosphere, and poetry. Working in the tradition of the Impressionists but with a distinctly modern energy, Hambourg developed a signature style defined by expressive brushwork, luminous colour, and expansive skies. His compositions celebrate the harmony between man and nature, infused with a profound sense of place and the painter’s personal joy in observation. Across seven decades, he produced an enduring body of work that resonates with collectors and institutions alike.
Born in Paris in 1909, Hambourg was shaped by the city’s artistic currents from an early age. He began his studies under the sculptor Paul Niclausse before transferring to the studio of Lucien Simon at the École des Beaux-Arts, where he immersed himself in the tradition of French academic painting while simultaneously gravitating toward the emerging movements of the early twentieth century. At just nineteen years old, Hambourg held his first solo exhibition at the Galerie Taureau in Paris in 1928. It was a critical success that established his reputation and led to his acceptance at the Salon des Indépendants and the Salon d’Automne, two of the most influential platforms for progressive art in interwar Paris.
Hambourg’s artistic trajectory shifted in 1933 when he was awarded the Prix de la Villa Abd-el-Tif, granting him the opportunity to live and work in North Africa. Over the next decade, Algeria and Oran became central to his practice, offering a profound revelation: the raw power of light. In the intense North African sun, Hambourg found the perfect subject, not just the landscape, but the dance of light across it. His palette expanded, his brushwork loosened, and his fascination with the visual effects of brightness, shadow, and movement began to define his mature style.
In 1946, Hambourg resumed his artistic practice with renewed vision and was soon appointed official painter to the French Navy. This role enabled him to travel widely, to the Mediterranean, North Africa, the Middle East, the Americas, and beyond. From these journeys he returned not only with sketchbooks brimming with visual notes, but with a reawakened sense of the sea’s poetry: vast skies, endless horizons, and ever-shifting reflections.
Hambourg’s mature style is characterised by fluid, expressive brushwork and an instinctive approach to colour. His technique blends Impressionist structure with Fauvist vibrancy, delivering a lyrical quality that never strays into sentimentality. There is a confidence in his handling of paint, a swiftness that captures both movement and emotion. While his surfaces appear spontaneous, they are underpinned by careful study and subtle compositional rigour, often built on location and completed in the studio.
A key feature of Hambourg’s compositions is the dominant sky. Whether over a Venetian lagoon, a Provençal coastline, or the beaches of Normandy, the sky in Hambourg’s work becomes a living force. His skies swirl, stretch, and pulse with light. Below them, beaches and boats and figures are rendered with rhythmic, gestural strokes, capturing the joyous informality of summer days or the atmospheric hush of approaching dusk.
While Hambourg’s subjects vary from the romantic architecture of Venice, to the bustling ports of the Mediterranean, his most beloved scenes are his luminous beachscapes and marine vistas. These works convey both immediacy and timelessness. The breeze in a figure’s dress, the glint of sunlight on wet sand, the slow drift of boats, all are painted with a lightness of touch and emotional warmth.
Even in the most expansive of scenes, Hambourg maintains an intimacy with his subject. The viewer is not simply observing the beach; they are present within it, feeling the salt air, watching the play of children, noting the flutter of parasols. This experiential quality is what makes Hambourg’s work resonate so deeply with collectors. His paintings offer not only visual pleasure, but a return to memory: to holidays past, to the rhythms of the sea, to the poetry of looking.
André Hambourg’s work is held in major museums and public collections, including the Musée National d’Art Moderne in Paris, the Eugène Boudin Museum in Honfleur, and the European Courts of Justice in Luxembourg. His long and prolific career—spanning more than seventy years—was marked by both official recognition and public affection. As a painter of the French Navy, he continued a legacy that reached back to Boudin and Courbet, while infusing it with a distinctly modern sensibility.
For collectors, an André Hambourg painting is more than an evocation of light or place, it is a portal into an artist’s lifelong dialogue with beauty, nature, and travel. His canvases do not simply represent the world; they interpret its radiance. In every sky he painted, and in every tide he traced with colour, Hambourg captured something fleeting and essential, a vision of life bathed in light.
- Creator:André Hambourg (1909 - 1999, French)
- Dimensions:Height: 8.67 in (22 cm)Width: 10.63 in (27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2615216619692
André Hambourg
André Hambourg was born in Paris on 5 May 1909. Entering the Ecole Nationale Superieure des Arts Decoratifs in 1926, he studied sculpture under Paul Niclausse for four years. The young artist then entered the studio of Lucien Simon at the Ecole Nationale Superieure des Beaux-Arts. While in the middle of his academic studies, Hambourg had his debut solo exhibition at the Galerie Taureau in Paris in 1928. He was only 19 years old. In 1931, he was made a member of the Salon de l’Art Français Indépendant and the Salon de l’Oeuvre Unique. In 1933, the artist traveled to North Africa for the first time and would spend ten years working in Algeria and Morocco. The powerful sunlight, as well as the poverty of this region, inspired Hambourg’s works. In 1937, he executed a mural for the Algerian Pavilion at the Exposition Internationale of Paris. Throughout his years in North Africa, Hambourg would exhibit his paintings in numerous shows in Algeria, and Paris. In 1939, Hambourg was mobilized as a military reporter and draughtsman and worked on the staff of the Journal de Commissariat a la Guerre, the newspaper of the French army, under the pseudonym Andre Hache. Special missions on combat vessels led to his appointment as a war correspondent in 1944 with the staff of inter-allied SHAEF. He took part in the German, Alsace, and Atlantic Front campaigns, as well as the Liberation of France. After returning to his artistic career, Hambourg became the official painter of the Navy in 1952. He undertook numerous voyages aboard French Navy vessels on missions all around the world including Venice, the Soviet Union, Israel, Great Britain, The Ivory Coast, The United States, and Mexico. From these global travels, the artist brought back sketches and preparatory drawings for future paintings and illustrations. His international trips would have a lasting influence on his artwork. Hambourg’s adventurous maritime career resulted in his receiving the honor of Laureate of the Salon de la Marine, and becoming the official painter of the Marine Ministry.
In 1970, 500 of his works formed a prestigious retrospective at the Maison de Culture in Bourges, France. Other notable shows include Drawings of Venice at Galerie Varine-Gincourt in Paris (1979), Bonjour New York at Wally Findlay Galleries in New York (1985), The Presence of André Hambourg at the Salon du Dessin (1986), André Hambourg in the Ivory Coast at Galerie Guigne in Paris (1987), and finally André Hambourg in Venice at Galerie Apesteguyin Deauville (1989).
Having experience creating mural decorations for ships, Hambourg was asked to complete a 195 square foot mural, for the Audience Chamber of the new European Court of Justice in Luxembourg in 1972. On 4 December 1999, André Hambourg died in Paris. Today his works can be found in museums such as Musée National d’Art Moderne, Musée National de la Marine, and Musée des Arts d'Afrique et d'Océanie in Paris.
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