André Perrachon

At the Market, Flowers

1898

Canvas size: 57 3/4 x 45 1/2 inches A striking and impressive French Academic painting in a high quality Italian style gold leaf frame. Gorguet was an Academic French artist who was trained by Boulanger, Gerome, Bonnat and Morot. His academic training was so strong that he was asked by the Opera House to illustrate many of their posters and he made his living illustrating many books of the time. In the market today this is most of what circulates and comes to light by the artist. He was ultimately made a professor of Drawings at L’Institut. However, Gorguet was also a Symbolist artist and did works aligned with the Art Nouveau movement. Many of these works are quite impressive but rarely have surfaced in the art market. Jupiter and Mercury Received by Philemon and Baucis is more of an Allegorical work and Gorguet switched gears to do a painting which would garner International attention at the important Concourse du Prix de Rome competition. 1891 was a year where the competition would be stiff and he knew he had to do an impressive painting with a compelling historical or allegorical content. In this painting, Gorguet is depicting their Jupiter and Mercury’s arrival at their home and the indication that Philemon and Baucis will share what they have with them despite their poverty-stricken means. The technical execution of this work is exceptional as the figurative work is done masterfully and any small detail within the canvas demonstrates tremendous attention of subtlety of tone and modeling. An example is the strand of cloth that crosses Jupiters chest and the delicate shades of pink and gray and how it is modeled. More than ever, the academic artists of this period are to be appreciated for the quality and creativeness of their work. And the timelessness of these classical allegories are still applicable to our lives today. So we predict a turn back toward work like this as qualitatively we know it will never be done again. Story of Jupiter and Mercury Visiting Philemon and Baucis (one interpretation) According to ancient Roman mythology and Ovid's Metamorphoses (8.631, 8.720.), Philemon and Baucis had lived out their long lives nobly, but in poverty. Jupiter, the Roman king of the gods, had heard of the virtuous couple, but based on all his previous experiences with humans, he had serious doubts as to their goodness. Jupiter was about to destroy mankind but was willing to give it one final chance before starting over again. So, in the company of his son Mercury, the wing-footed messenger god, Jupiter went about, disguised as a worn and weary traveler, from house to house among the neighbors of Philemon and Baucis. As Jupiter feared and expected, the neighbors turned him and Mercury away rudely. Then the two gods went to the last house...

Benjamin Constant was an important figure in the Academic painting world in Paris and one of the leading French Romantic artists of the time. He is in all the museums of France and ...

A stunning and dramatic still life by noted Belgian 19th century artist, David De Noter. Framed in a complimentary Empire style 22 karat hand carved frame....

Max Kalish was an important and highly collected American sculptor desired for his depictions of the working man. Here we see a miner taking a break. Kalish was adept at conveying ...

"Venus cast" Oil on canvas (The painting is unframed 70 x 50 cm.) The Painting’s Qualities Lyubena Fox’s paintings are painted in several layers, using both the transparent and opaque qualities of oil paint. Each layer is applied after the previous has dried which makes the painting withstand time. It also creates a glowing, three-dimensional effect, which is due to the different layers showing though each other. These paintings are painted following the logic of how the eye perceives: seeing the details in the context of the form. To create a fulfilling experience, the images are composed of places, full of detail for the eye to explore and places where the eye can rest. “The impressions of Lyubena's paintings on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination with its realistic perfection. Her paintings bring emotion of drama, mystery, love, desire and energy, represented by the vast creative power of her talent.” Bio Lyubena Fox was born in 1994 in Sofia, Bulgaria. 2013 she graduated from the National school of fine arts Bulgaria, specializing in illustration. The same year she moved to Florence, Italy to study painting with John M. Angel and in 2016 graduated from Angel Academy of Art Florence, after which she studied with Alessandro Dari. 2017 she has two solo exhibitions in Sofia. 2018 Lyubena has three of her paintings qualified as ARC finalists and later in May studies painting with her favorite contemporary painter Roberto Ferri...

Title: Virgin Mary and Child Jesus Artist: Francisco Ribera Gómez (1907-1990) Technique: Oil on canvas Dimensions: 31.9 x 25.6 inches (unframed) Date of creation: 1942 Style: Classical Academicism with Renaissance influences Description of the Artwork The painting depicts the Virgin Mary holding the Child Jesus in a tender and intimate moment. Warm colors, primarily reds, greens, and soft flesh tones, enhance the devotional nature of the scene. The use of golden halos, symbolizing sanctity, along with serene and realistic expressions, directly connects with the Renaissance pictorial tradition. The style belongs to classical academicism, characterized by a balanced composition, meticulous drawing, and a masterful use of chiaroscuro to give volume and depth to the figures. The detailed rendering of the flesh tones and draperies amplifies the spirituality and solemnity of the piece, evoking the works of great masters such as Raphael and Murillo. Artist's Biography Francisco Ribera Gómez (1907-1990) was a prominent 20th-century Spanish painter known for his depictions of religious scenes, female portraits, and costumbrist works. Trained at the Royal Academy of Fine Arts of San Fernando, Ribera Gómez received numerous accolades and was regarded as one of the great exponents of Spanish academicism. His work combines a rigorous technical foundation with luminous sensitivity and an idealized sense of beauty. Influences and Comparisons Francisco Ribera Gómez's work can be compared to other academic and religious artists who share a similar aesthetic: Bartolomé Esteban Murillo: In the emotional and approachable treatment of religious themes. William-Adolphe Bouguereau: For the idealization of human figures and technical mastery. Raphael (Raffaello Sanzio): For harmonious composition and the depiction of the Virgin Mary. Within the Spanish tradition, his style recalls Eduardo Rosales...

A student of Regnault and of Bertin, Jean-Charles Joseph Rémond exhibited at the Salon from 1814 to 1848. He was awarded his first grand prize in 1821 for "L'enlevement de Proserpi...

Here for your consideration is a late 19th century still life with fruit by the well known British artist, Henry George Todd. Signed lower left a...