Alexis Kandra

Regal Cat

2019

Ice Cat, oil paint, holographic foil, domestic cat, figurative, animal, grid

Tyrannosaurus Rex, oil paint, pink and gold foil, figurative, animal, grid

Curious Brachiosaurus, oil paint, holographic foil, dinosaur, figurative, animal, grid

Traveling Triceratops, oil paint, holographic foil, dinosaur, figurative, animal, grid

Wild Canary, oil paint, blue and gold foil, figurative, animal, grid

Panther Hollow, oil, blue and gold metal foil, big cat, figurative, animal, grid

Drawing on a wealth of resources, Benjamin Risk invites you to join an adventure of unconscious thought and imagination where everything seems familiar, yet surreal. With hi...

"Mark Messersmith’s mastery of painting is underscored in these works, which are laden with high-keyed color, dizzying perspectives, careening imagery, and virtuoso light effects. Th...

CIRCA 1930 (DERBY DAY) by Tim Liddy is a Oil and Enamel on Copper that measures 14.00 X 20.00 in and is priced at $9,700.00 Tim Liddy’s painted constructions so closely resemble the...

Fabio Modica HORSES The energy of nature is the energy of painting. This piece, which belongs to a series of four paintings, is an attempt to harmonize the two worlds, the natural an...

"Be Wary" oil, ink, beeswax & beads on wood 23" x 14" Whimsical painting of white egret Mixed Media Gallery Wrap Canvas About the artist: Shanna E. D'Antonio is a mixed-media arti...

A woman reclines in a disheveled bedroom, the folds in her sweatshirt are delicately rendered by the texture of the paint. She stares at the window, where a black cat stands on the sill, looking back at her. The open window reveals a hint of a snowy cityscape. --- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...