Amir Kerr

Turkmen Contemporary Art by Amir Kerr - Gone Mushrooming

2014

Signed on reverse Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives. In ...

Being responsible for a loved one, we, out of great and excessive love, try to control the situation in all manifestations of his life. Forgetting that mistakes sculpting out the cha...

Mass Information is an awfully great way to manipulate mood. We receive information even when we are not looking for it. But we have the freedom to choose the interest for ourselves....

Signed on bottom right Born in Turkmenistan, in the sunny city of Ashkhabad. From his youth was into artistic activities, currently the earlier works are kept in the family archives...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and political division are dismissed by hot pink kittens that arc gracefully through meter showers and owls that bury into beds of daffodils. In this place worry is edged out by the fantastic and mystical snails trail neon candy canes through the scorched earth. The apocalyptic is supplanted by the surreal and the allegorical. Anxiety followed me. The escapist reflects and distorts its shadow world, the real, a funhouse mirror...

This painting, executed in bright and rich tones, depicts a moment of quiet contemplation and connection with nature. The central figure is a girl with a long braid, leani...

Acrylic paint on paper Hand-signed by the artist Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...