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Effets de lumiere dans le pre - Post Impressionist Landscape Oil by H Le Sidaner
By Henri Le Sidaner
Located in Marlow, Buckinghamshire
Signed post impressionist animals in landscape oil on board by French painter Henri Le Sidaner. This stunning piece depicts cattle in a field. The sun is starting to set casting blue...
Category

1890s Post-Impressionist Landscape Paintings

Materials

Oil, Board

A Sussex Farm - Fauvist Landscape Oil Painting by Robert Polhill Bevan
By Robert Polhill Bevan
Located in Marlow, Buckinghamshire
Fauvist oil on board landscape circa 1905 by British painter Robert Polhill Bevan. The piece depicts a view of farm in Sussex. The red-roofed farmhouses are nestled between lush gree...
Category

Early 1900s Fauvist Landscape Paintings

Materials

Oil, Board

Ernest Hemingway. The Short Happy Life of Francis Macomber He Lay Face Down
By Dean Cornwell
Located in Miami, FL
A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There exists no living artist today who can paint and draw on a level as Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...
Category

1930s Post-Impressionist Figurative Paintings

Materials

Oil

Signs of Autumn Birds Flying in scenic Fauve Landscape. Frederick Harer Frame
By Marguerite Thompson Zorach
Located in Miami, FL
Signature: Signed lower left and on the reverse Provenance: Shannon's Auctions D. Wigmore Fine Art Krushaar Galleries Christie's East October 3, 2000 Hand Carved Period Frame fr...
Category

1930s Fauvist Landscape Paintings

Materials

Oil

Evening on the Summit - Deer on a mountain top
By Charles Courtney Curran
Located in Miami, FL
This work embodies a beautiful color scheme that is evident in the treatment of the sky and the huge cloud structure. that Signed and Dated lower right Original Period Frame On Vers...
Category

1930s Post-Impressionist Animal Paintings

Materials

Oil

Horses at the Gate - British 1912 Post Impressionist equine art exh oil painting
By Edgar Downs
Located in London, GB
This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy London. The painting is of two magnificent horses, one white one brown, waiting patiently while a man leans over to open the gate. Beyond is a canopy of trees. The impressionist brushwork and strong impasto create a light which is vibrant and colourful. This is an excellent example of Downs' work and one can see his infinity with the natural world. Signed and date lower right. Provenance. Exhibited at the Royal Academy London 1912 no. 789. Condition. Oil on canvas, image size is 36 inches by 30 inches and in good condition. Frame. Housed in a complementary frame 44 inches by 38 inches and in good condition. Edgar Downs, ROI, (1876–1963) was a British painter, known for painting agricultural scenes. Downs was born on 12 October 1876 at Claughton, Birkenhead, the son of William Downs. He was educated at Birkenhead School and the Academy of Fine Arts, Munich, and received a silver medal there. He exhibited paintings called Our Daily Bread and The Edge of the Bog at the Royal Academy in 1911, when his address was given as 12 Bedford Gardens, Kensington, London. His other addresses included Arun House at Clymping, West Sussex, and latterly Mudeford, Hampshire where he died. During World War I, he served as a war artist, including spells at Gallipoli in 1915 and Salonica in 1916. He was assigned to the 1st County of London Yeomanry in July 1918. One of his paintings made at this time hangs in the Headquarters of the Inns of Court & City Yeomanry. Two of his works, Gathering Kelp (1914) and Cattle Ploughing in an Open Landscape (c. 1914), are in the collection of Fordingbridge Town Council at Fordingbridge Town Hall. He was a member of the Royal Institute of Oil Painters ("ROI"), the London Sketch...
Category

1910s Post-Impressionist Animal Paintings

Materials

Oil

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