Charles E. Gatehouse

1900's BRITISH SPORTING ART - SIGNED OIL - PORTRAIT OF HORSE IN LANDSCAPE

C. 1902

Artist/ School: English School, early 1900's Title: Doves or Pigeons in an ornamental park landscape setting. Medium: oil on canvas, framed Size : 10.5 x 15 inches Framed: 8 x 12...

English School, late 20th century oil on canvas, framed framed: 23 x 30 inches canvas: 16 x 24 inches provenance: private collection, England the painting is in overall very good and...

The Thatched Cottage Suffolk School, 19th century indistinctly signed & dated verso oil on canvas, unframed canvas: 13 x 19 inches provenance: private collection, England condition: ...

"Aberfeldy" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, framed canvas: 12 x 20 inches fra...

Artist/ School: English School, 19th century Title: Cattle Watering from Woodland Pool Medium: oil painting on canvas, framed Size: painting: 16 x 24 inches, frame: 18.75 x 26.7...

Bringing in the Harvest British School, late 19th century signed lower corner oil painting on canvas, framed framed: 29.5 x 55.5 inches canvas: 24 x 50.5 inches provenance: private c...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), this painting was acquired by Saltire Gallerie with a larger painting signed by Hulk the Younger, (just SOLD). Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

This late 19th-century oil painting by British artist Rosa Müller (1822-1914) depicts the Moel Siabod mountain in Snowdonia, from the winding River Llugwy. Two children play on the r...

Alfred Augustus Glendening Snr British, (1840-1921) Swans on the River Oil on canvas, signed & dated (18)96 Image size: 17.75 inches x 30.75 inches Size including frame: 25 inches x 38 inches Provenance: Ravensbourne Galleries, Beckenham, Kent A beautiful river landscape painting of swans...

John Charles Maggs British, (1819-1896) Saracens Head Oil on canvas, signed & labelled ‘Bath’ Image size: 13.5 inches x 25.5 inches Size including frame: 21 inches x 33 inches A wo...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19.5 INCHES X 31.5 INCHES ** Robert Gallon British, (1845-1925) On a Scotch Hillside & On the Cliffs Oil on canvas, pair, both signed with old labels verso Image size: 11.75 inches x 23.75 inches (each) Size including frame: 19.5 inches x 31.5 inches (each) A lovely pair of Scottish landscape paintings featuring sheep and cattle by Robert Gallon. The first depicts Highland sheep on a hillside with a Scottish loch below. The second painting shows Highland cattle grazing on cliffs overlooking the sea. At the time of these paintings, Gallon was living at 32 Alma Square in St John’s Wood and they were most likely painted during one of his excursions to the Highlands. Robert Gallon was a landscape painter born in Deptford, Kent in 1845 to the artist Robert Samuel Ennis Gallon (1807-1867) and his wife Cecilia Ann Russell. He lived with his family at Evelyn Place in Deptford. He was most likely tutored by his father; however, his subject matter was inspired by artists such as Benjamin Williams Leader and George Vicat Cole. Gallon began exhibiting at the Royal Society of British Artists in 1868 and in 1873 made his debut at Royal Academy from an address at 12, Tavistock Row, Covent Garden. He was a regular contributor to both galleries, continuing to exhibit at the RSBA until 1893 and at the RA until 1903. He also exhibited at some of the smaller establishments including the Hampstead Art Society, Mendoza Gallery and St James’s Gallery as well as at provincial galleries. By 1876, he had moved to 28 Alma Square in St John’s Wood. He married Catherine Elizabeth Atkinson on 18 July, 1877 and together they had 3 children...