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Diana TremaineDevoted2025
2025
About the Item
Artist Statement:
Diana Tremaine’s paintings are inspired by the natural world around her and informed by her own life’s experiences. With her subjects - horses, birds, wildlife, family - she strives to elevate the beauty of a moment. With her process - building up and breaking down over and over - she communicates the complexity and struggle that is inherent in all beauty. Regardless of “subject”, Tremaine creates intentional surface tension, layering opaque paint over transparent paint, juxtaposing clean, crisp edges with subconscious mark making and chaos, allowing subjective pops of color to float gracefully above deeper discord, in order to allude to differing layers and forms of reality. Quietude often juxtaposes chaos. More highly resolved passages counter raw, abstracted passages. Her process is never premeditated but rather one of constant response, with each mark informing the next. Over completion could signal the need for breakdown, or vice-versa. In this way, the process itself, the battle between composure and chaos, between what is known and what is unknown, becomes the ultimate “subject”.
- Creator:Diana Tremaine (American)
- Creation Year:2025
- Dimensions:Height: 36 in (91.44 cm)Width: 60 in (152.4 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fairfield, CT
- Reference Number:1stDibs: LU183216046772
Diana Tremaine
Diana Tremaine is a bicoastal New York City-born artist who studied and taught in both Northern and Southern California. She later moved to Montana in search of spiritual space and room to breathe, where she now works and lives with her family. She uses swans as a metaphor for beauty and resilience rising above chaos during difficult times. Tremaine's dynamic, representational and nature-centric oil paintings reflect a search for truth and meaning. Tremaine develops brushstrokes and marks by adding and then obliterating some of the stories in a free-association editorial process of discovering what is most important and lasting. The melancholy images echo her experiences in an autobiographical fashion, but they are also universal and touch upon and evoke our collective memories like ghosts of what was. Created with a limited palette, there is visual poetry in her surfaces, including the tension that exists when simultaneously holding on and letting go. Tremaine has exhibited widely and with success.
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