George Morland

A farmstead in a landscape

John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...

Michael Lyne (1912-1989) The Devon and Somerset Staghounds at Hawcombe Head Signed lower left Oil on canvas Canvas Size - 24 x 36 in Framed Size - 30 x 42 in Michael Lyne (1912-1989) was a celebrated British artist renowned for his striking depictions of the equestrian world. Born in London, England, Lyne developed a passion for art and horses from an early age. He studied at the Slade School of Fine Art in London and was greatly influenced by the works of Sir Alfred Munnings, one of the most renowned equestrian painters of the time. Lyne's career flourished when he was commissioned to illustrate several books, including "In the Shire Country" by Susan Shaw...

John Ferneley Snr (1782-1860 Melton Mowbray) Sir Richard Sutton's foxhounds signed J. Ferneley lower right Oil on canvas Canvas Size 16 1/8 x 20 1/2 in Framed Size 21 x 25 in Proven...

Benjamin Killingbeck (act. 1769-1783) A dark bay racehorse held by his trainer on a racecourse Oil on canvas Canvas Size - 40 x 50 in Framed Size ...

John Theodore Eardley Kenney (1911-1972) The Fernie cubhunting signed and dated 'John T Kenney ’66' lower right Oil on canvas Canvas - 20 x 30 in Framed - 25 x 35 in Provenance: wit...

Thomas Mogford (1809-1868) Three horses in a woodland landscape signed and dated 'Thos Mogford. 1838' (lower right) Oil on canvas Canvas size - 25 x 30 in Framed size - 29 1/2 x 34 1...

Horse and Sulky reminiscent of Currier and Ives by George Christopher Horner (1821-1881), British artist, imported by Saltire Gallerie. Signed and da...

Scottish/British artist John Gifford is best known for his paintings of Setters, Spaniels and Ponies in the Scottish countryside and highlands. Sought after for his sporting artwor...

A saddled chestnut hunter tethered to a post at the entrance to stables with a wooded landscape and a hill beyond. Signed and dated lower left, 'T. Beach pt., 1785'. Provenance: Anonymous sale, London, Christie's 28 May 1999. lot 15 Thomas Beach was essentially known as a portrait artist and the present painting is a rare example of his skill as an animal painter. His ability to convey a sense of the character of his sitters is evident here in the remarkably sensitive portrayal of the horse's expression. Beach painted...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

A fox and a rabbit by a rabbit hole in woodland undergrowth, Circle of George William Horlor (1849-1895) Oil on canvas in a giltwood frame. Canvas size: 46 x 71cm In frame: 59x 83cm ...

"Dangerous" Portrait of the 1833 Derby racehorse winner by John Frederick Herring Snr (1795-1865) British signed lower left, titled lower right oil painting on canvas: 10 x 14 inches...