
"AT THE LIENZO" SAN ANTONIO TEXAS
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GLADYS ROLDAN-DE-MORAS"AT THE LIENZO" SAN ANTONIO TEXAS21st century
21st century
About the Item
- Creator:GLADYS ROLDAN-DE-MORAS (1965)
- Creation Year:21st century
- Dimensions:Height: 45.5 in (115.57 cm)Width: 57.5 in (146.05 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Please visit my 1stdibs storefront for other Vintage, Mid Century & contemporary Texas paintings, sculpture, pottery and more.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU769313628402
About the Seller
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Located in San Antonio, TX
Debra Benditz
Texas Artist
Image Size: 48 x 36
Medium: Oil
"Riding at Dawn" Cowgirl We will only ship in the Continental United State for posted shipping price.
Debra Benditz Texas Artist Statement
My oil paintings are a vibrant expression of the feminine and the can-do spirit of the Wild American West as embodied by my paternal grandmother and great-grandmother, both award-winning horsewomen. I use saturated colors, often found in nature, to interpret burgeoning growth, beauty and the human form especially of Jennie Pawson and Aeola Huston Mitchell, my cowgirl ancestors. I know these feisty women from stories I heard my father tell and from old photographs showing the time Jennie met Theodore Roosevelt, and another from 1901, when she was named a champion of the Cheyenne, Wyoming Frontier Days. As a child I spent hours on the floor of my grandfather’s music room as Enrico Caruso serenaded me from the Victrola. I gazed in awe at the tall bookcases, art-covered walls and my grandfather’s art nouveau postcard...
Category
2010s Expressionist Figurative Paintings
Materials
Oil
"Encounter" Indian & bear. Santa Fe Utah Colorado, Wyoming, Montana 1930s. Large
By Frank Hoffman
Located in San Antonio, TX
Frank Hoffman
(1888-1958)
New Mexico, Illinois Artist
Image Size: 27 x 41
Frame Size: 37 x 50
Medium: Oil
Circa 1930s - 1940s
"The Encounter" Indian & Bear
Frank Hoffman (1888-1958)
Growing up in New Orleans where his father raced horses, Frank Hoffman developed a great love for these animals, which was reflected in his paintings. He worked as an illustrator for the "Chicago American" newspaper, which gave him an opportunity to draw many subjects from opera to prize fights, and eventually he became head of the department. During that time, he took formal art training from J. Wellington Reynolds, a portrait painter.
In 1916, having been rejected for military service because of poor eyesight, he went West and lived with cowboys and Indian tribes and served as public relations director for Glacier National Park. Eventually he settled on a ranch near Taos, New Mexico, and became part of that art colony and studied with Leon Gaspard, who encouraged him to use color freely.
Advertisers including General Motors, General Electric, and the Great Northern Railway hired him because they loved his bold, broad brush work and striking colors. He also did magazine illustrations, specializing in western subjects. Because of the spaciousness of his ranch that he called Hobby Horse Rancho, he kept live models of cow ponies, thoroughbred horses, longhorn steers, several breeds of dogs, eagles, a bear and burros.
From 1940 Brown & Bigelow Publishing Company of St. Paul, Minnesota had him under exclusive contract, and during the next 14 years, he produced 150 paintings for that company.
Source:
Walt Reed, The Illustrator in America, 1860-2000
Known as a traditional Western illustrator, painter and sculptor, Frank Hoffman was born in Chicago, Illinois. He grew up around his father's New Orleans, Louisiana, racing stables.
Through a family friend, Hoffman was hired to make sketches for the Chicago American, later becoming head of the art department. While working for the paper, he had five years of formal art training in private lessons from J. Wellington Reynolds, a portrait painter. In 1916, Hoffman went West to paint, living with the Indian tribes and the cowboys. During that time, he also worked as public relations director for Glacier National Park, where he met noted artist John Singer Sargent.
In 1920, Hoffman joined the young art colony in Taos, New Mexico. He studied with Leon Gaspard, learning the use of color. Although focusing on his fine art, Hoffman also painted for corporate advertising campaigns and illustrated Western subjects for the leading national magazines in the 1920's.
Hoffman became the best-known New Mexico illustrator of the time. As his success grew, he bought his own Hobby Horse Rancho, where he raised quarter horses and kept as live models the longhorns, dogs, eagles, burros, and even a bear that he had begun to sculpt in the 1930's.
Later, beginning with 1940, Hoffman was under exclusive contract to Brown and...
Category
1930s Figurative Paintings
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Oil
"Home Corral" Very early Wieghorst California Western Painting awesome colors
By Olaf Wieghorst
Located in San Antonio, TX
Olaf Wieghorst
(1899 - 1988)
California, New York, New Mexico, Arizona, Texas Artist
Image Size: 20 x 24
Frame Size: 29.5 x 33
Medium: oil
1946
"Home Corral" California Olaf Wieghorst
Without a doubt one of if not the most colorful Wieghorst paintings ever done. Signed lower left. Titled on verso. Dated on verso.
In very nice condition. Has been professionally cleaned. Has very fine craquelure in the tree branches and a small spot below the horse that is really only visible if you are extremely close to the painting or with magnification. One of his finest paintings. Also please view my other Wieghorst from the same estate. I have included close up photos as well as photos taken in natural light, spot light and fluorescent lighting.
Olaf Wieghorst
(1899 - 1988)
California, New York, New Mexico, Arizona, Texas Artist
Image Size: 20 x 24
Frame Size: 29.5 x 33
Medium: oil
"Home Corral"
Dated 1946
Biography
Olaf Wieghorst (1899 - 1988)
Born in Viborg, Denmark, Olaf Wieghorst was a child acrobatic performer from the age of nine when he began appearances at Tivoli Theater in Copenhagen and later toured Europe. He also learned horseback riding working on a stock farm, and horses became a major focus of his admiration and later his painting.
In 1918, he arrived in the United States, having worked as a cabin boy on a steamer. He served in the 5th U.S. Cavalry on the Mexican border in the days of Pancho Villa. He later recalled a favorite horse from that period and said that riding through El Paso in 1921, the horse fell on his ankle and broke it. The outfit was heading to Douglas, Arizona, and not wanting to be left behind with his injury, he stayed on the horse which carried him all the way through the New Mexico desert on one of the hottest days of the year. The horse died during the night, having expended all his energy on saving Wieghorst. He later wrote that when the Cavalry discarded the use of horses, "they took the soul out of that great branch of the service" ("Widening Horizons").
He wandered extensively through the West sometimes on horseback, finding work in Arizona and New Mexico as a cowboy. Then he went to New York and served as a mounted policeman until 1944, spending most of his time on a horse named Rhombo patrolling the Central Park bridle paths and saving many people injury from runaway horses. He began painting in his spare time, and he was successful enough that his work was represented by the Grand Central Art Galleries of the Biltmore Hotel.
In 1944, he settled in El Cajon, California. His paintings include cowboys, horses, and Indians in landscape, but there is little if any collectible art of his done during his early days in the West. His primary output came after his return to California when he began painting cowboys and horses extensively. He did numerous horse portraits, spending time on ranches studying their unique personalities. He painted celebrity horses including Roy Rogers' Trigger, Gene Autry's Champion and Tom Morgan's stallion.
He was a large, powerful, handsome, and very personable man.
Source:
Kathleen Wade
Olaf Carl Wieghorst (1899-1988)
He arrived in the U.S. in 1918, joining the U.S.
Cavalry, & patrolled the Mexico border in New Mexico & Arizona . When he mustered out of the army, he drifted, ending up as a wrangler on
the Cunningham Ranch near Alma, New Mexico.
By the mid-twenties,
Wieghorst was in New York City, working as a mounted policeman - his
relationships with the many horses that were a part of his life became
the common denominator of his paintings. Living in California by the end
of WWII, he began a career that spiraled to success, in part due to his
engaging personality.
His paintings have appeared in numerous solo
& retrospective exhibitions including the National Cowboy &
Western Heritage Museum, Oklahoma City (1974), The Tucson Museum of Art,
Arizona (1981), & the San Diego Historical Society, California
(2002).
His work was the subject of the 1970 biography, "Olaf Wieghorst"
by William Reed...
Category
1940s Impressionist Landscape Paintings
Materials
Oil
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Fredericksburg Artist
Size: 20 x 30
Frame: 27 x 37
Medium: Oil
"Brahmas"
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Located in San Antonio, TX
James Boren
(1921 - 1990)
Waxahatchie, Texas / Oklahoma Artist / Member Cowboy Artists of America
Image Size: 28 x 42
Frame Size: 40 x 53
Medium: Oil
"Ca...
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Located in San Antonio, TX
Edward Lee Reichert
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Texas Artist
Image Size: 16 x 20
Frame Size: 18.5 x 22.5
Medium: Oil
"Horse Stable"
Biography
Edward Lee Reichert (1919-2011)
Edward Reichert, archite...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
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