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James Barker
Dogs at Rest in a Stable

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Ducks and Pigeons in a Barn Interior
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent) Ducks and Pigeons in a Barn Interior Signed and dated 1858 Oil on canvas Painting size 18 1/2 x 28 1/2 in Framed size 24 x 33 1/2 in John Frederick Herring Sr. was born on September 12, 1795, in London, England. He was the son of a London-based fringe maker, and the family lived in modest circumstances. Although little is known about his early education, Herring showed a natural affinity for art and horses from a young age. His father moved the family to Doncaster when Herring was still a boy, a town famous for horse racing, which would play a significant role in shaping his future career. Herring’s love for horses became evident during his youth, where he worked as a coachman and sign painter. He often painted inn signs...
Category

19th Century Victorian Animal Paintings

Materials

Oil

A Husky in a snowy landscape
Located in Stoke, Hampshire
Arthur James Stark (1831-1902) Husky in a snowy landscape Signed 'a j Stark, 1879' lower right Oil on canvas Canvas size - 20 x 26 in Framed size - ...
Category

19th Century Victorian Animal Paintings

Materials

Oil

A Husky in a snowy landscape
$5,400 Sale Price
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Pheasant shooting
By Richard Barrett Davis
Located in Stoke, Hampshire
Richard Barrett Davis (1782-1854) Pheasant Shooting Oil on board Painting size - 17 x 21 in Framed size - 21 1/2 x 25 1/2 in Provenance Chrisitie's, Sporting Art, 12th December 2012...
Category

19th Century Victorian Animal Paintings

Materials

Oil

A grey horse, pony and terrier in a stable
Located in Stoke, Hampshire
James Loder of Bath (1784-1854) A grey horse, pony and terrier in a stable signed 'J Loder' (lower right) Oil on canvas Canvas size - 24 x 30 in Framed size - 27 x 34 in Provenance ...
Category

19th Century Victorian Animal Paintings

Materials

Oil

Dogs in a stable interior
Located in Stoke, Hampshire
Thomas Smythe (1825–1906) Dogs in a stable interior Oil on board Painting size - 10 x 10 in Framed size - 15 x 15 in Thomas Smythe was a prolific 19th-century British painter, celeb...
Category

19th Century Victorian Animal Paintings

Materials

Oil

Deer in Windsor Park
By John Frederick Herring Sr.
Located in Stoke, Hampshire
John Frederick Herring Snr (Surrey 1795-1863 Kent) Deer in Windsor Park Signed and dated 'J.F. Herring 1835' Oil on Panel Painting size 10 x 12 in John Frederick Herring Sr. was bor...
Category

19th Century Victorian Animal Paintings

Materials

Oil

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Animal oil painting of a woman feeding calves & chickens
By Claude Cardon
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Claude Cardon British, (1864-1937) Feeding Time in the Orchard Oil on canvas, signed & dated 1918 Image size: 19.25 inches x 29.25 inches Size including frame: 27.5 inches x 37.5 in...
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19th Century dog portrait oil painting of two show dogs
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Valentine Thomas Garland British, (1845-1914) After the Show Oil on canvas, signed Image size: 28.5 inches x 18.5 inches Size including frame: 40.75 inches x 30.75 inches A wonderf...
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Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...
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English 19th century portrait of two seated King Charles Cavalier Spaniels dogs
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Located in Woodbury, CT
James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...
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Antique Oil Painting on Board of a Dog
Located in Palm Beach, FL
Antique oil painting on board of a white dog caught in a moment of speculation in an outdoor scene. Signed William Melbon and presented ...
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19th Century exhibition size landscape oil painting of Sheep on a cliff
By Charles Jones (b.1836)
Located in Nr Broadway, Worcestershire
Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
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