John E. Ferneley, Snr.

Portrait of an Arabian Bay in an Orientalist Landscape

G R Neale Oil on Canvas, Signed and dated ‘1933’ lower right Image Size: 13 1/2 x 9 1/2 inches ( 34.3 x 24.1 cm) Hand made ebonised and gilded frame Accentuated by the works golden tones, the painting is a duality of strength and stillness. Explored through the compositions stoic stone lion; angled to gaze just out of frame; in contrast with the draped ochre curtain of the piece’s background. Reeves and Sons...

Henri Émilien Rousseau French 1875 – 1933 Portrait of the Arabian Horse Moscow Oil on board, signed lower left Image size: 15 x 18 inches This splendid rendition of the horse b...

Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...

German School 17th Century Portrait of Philip Melanchthon Oil on panel Image size: 9 x 12 inches (22.6 x 30.3 cm) This charming portrait depicts Philip Melanchthon, the acclaimed Lu...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Modern naturalistic portrait painting by well-known Houston-based artist Herb Mears. The work features a detailed rendering of a jockey wearing a yellow and blue outfit standing next to his wife and a young lion. Signed by the artist in the front lower right corner. Retains the original DuBose Gallery label on the reverse. Currently hung in a complementary frame. Dimensions Without Frame: H 48 in. x W 54 in. Artist Biography: Born in New York City in 1923, Herb Mears was interested in art from a young age. He studied under Fernand Leger in Paris and went on to paint and study in various studios in France and Italy before his arrival in Houston in 1951. With colleague David Adickes, whom he had met in Paris, Mears decided to open an art school. Their Studio of Contemporary Arts finally settled in an old building on Main Street with Mears and Adickes hoping to give classes to potential students. However money was tight and Mears found himself as a draftsman for Houston Lighting and Power Company, a job he excelled at and enjoyed. Later, Mears was involved in the Contemporary Arts Association, frequently making trips to ensure security in addition to enjoying the art scene the Association provided. From the CAA to the Art League of Houston and the Museum of Fine Arts, Mears began to gain recognition. An abstract, or non-objective piece as he called it, won a prize at a competition held by the Museum of Fine Arts, earning him a teaching position at the Museum School. Mears also taught at the Contemporary Arts Museum, University of Houston...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under th...

Tiger Portrait Pop Art with Floral Mandala in Chains by British Urban Graffiti Artist, Chris Pegg, using red, pink & turquoise. Chris Pegg is a self-taught Street Artist producing ar...