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John Francis Sartorius
Adam Prattington and Friend

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Stone Lion
Located in London, GB
G R Neale Oil on Canvas, Signed and dated ‘1933’ lower right Image Size: 13 1/2 x 9 1/2 inches ( 34.3 x 24.1 cm) Hand made ebonised and gilded frame Accentuated by the works golden tones, the painting is a duality of strength and stillness. Explored through the compositions stoic stone lion; angled to gaze just out of frame; in contrast with the draped ochre curtain of the piece’s background. Reeves and Sons...
Category

20th Century Modern Animal Paintings

Materials

Oil, Canvas

Lord Strathnairm's Arab Charger
By Gourlay Steell
Located in London, GB
Lord Strathnairm's Arab Charger Gourlay Steell Oil on canvas, signed lower right Image size: 39 x 44 1/8 inches (99.1 x 112.1 cm) Handmade frame POA Provenance Commissioned by Field...
Category

20th Century English School Animal Paintings

Materials

Canvas, Oil

A Racehorse with Owner and Jockey, 19th Century Equine Oil Painting
Located in London, GB
Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...
Category

Mid-19th Century Victorian Animal Paintings

Materials

Canvas, Oil

Head of a Arab Horse
By John Lewis Shonborn
Located in London, GB
Oil on cardboard mounted on canvas, signed lower right Image size: 9 x 7 1/4 inches (23 x 18.5 cm) Original gilt frame This painting shows a horse standing in profile in front of, w...
Category

Late 19th Century Modern Animal Paintings

Materials

Oil

Portrait of an Arabian Bay in an Orientalist Landscape
Located in London, GB
John E Fernley, senior 1782-1860 Portrait of an Arabian Bay in an Orientalist Landscape Oil on panel Image size: 16 x 21 inches (40.5 x 53.5 cm) Hand made Orientalist gilt frame Thi...
Category

19th Century Animal Paintings

Materials

Oil, Panel

A Wooded Path
Located in London, GB
Oil on canvas, signed lower right 11 4/5 x 12 9/10 inches (30 x 32 cm) Gilt frame Nora Summers was a British painter, printmaker and photographer who grew up in an engineering family. She studied at Bristol School of Art before progressing on to the Slade School in London where she developed under the teaching of Henry Tonks from 1907-1910. Her work was often characterised by its serene, still quality, here her landscape captures a forest scene as a poignant documentation of the moment- a fleeting memory, frozen in time. She was predominantly shown in the NEAC as well as the Walker Art Gallery. Summer’s contemporaries were captivated by her striking look and modernist style, many of whom used her as a muse for some of their works such as Augustus John, Henry Lampard, and Walter Russel. After meeting her husband Gerald Summers at Slade, the two honeymooned in Italy where they both worked closely on topographical paintings and etchings of Italian...
Category

20th Century Modern Landscape Paintings

Materials

Oil, Canvas

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