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John Frederick Herring JrHorses in a farmyard
$8,125.49
£5,950
€6,997.80
CA$11,148.49
A$12,456.58
CHF 6,516.17
MX$152,757.55
NOK 83,264.29
SEK 78,956.60
DKK 52,228.34
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About the Item
John Frederick Herring Jnr (1815-1907)
Horses in a farmyard
Signed 'JF Herring' lower right
Oil on panel
Painting Size - 7 x 9 in
Framed Size - 9 1/2 x 11 1/2 in
Provenance
With Arthur Ackermann & Sons, London;
The Collection of Charlie Watts of The Rolling Stones.
John Frederick Herring Jnr (1815–1907) was a British painter known for his vibrant depictions of rural life, particularly horses, farm animals, and country scenes. The son of the renowned equine artist John Frederick Herring Snr, he followed closely in his father's artistic footsteps, often adopting a similar style that made distinguishing between their works challenging at times.
Herring Jnr established a reputation in his own right, exhibiting his work at prestigious institutions such as the Royal Academy and the Society of British Artists. His paintings are celebrated for their lively, detailed portrayals of animals in naturalistic settings, capturing both the beauty and vitality of rural England during the Victorian era. He enjoyed considerable popularity during his lifetime and remains a notable figure in 19th-century British art.
- Creator:John Frederick Herring Jr (1820 - 1907, British)
- Dimensions:Height: 9.5 in (24.13 cm)Width: 11.5 in (29.21 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Stoke, GB
- Reference Number:1stDibs: LU446316108012
John Frederick Herring Jr
John Frederick Herring Jr. was taught by his father, the eminent early 19th century artist J.F. Herring Sr. (1795-1865) who was official Animal Painter to Her Royal Highness the Duchess of Kent. Like Herring Sr., he became a highly successful painter of sporting and animal subjects which were particularly popular with the English aristocracy. The current work is a homage to his father’s famous subject picture of 1850, and possibly commissioned by a patron who had been unable to secure Herring Senior’s original. Between 1860 and 1875 J.F. Herring Jr. exhibited at the Royal Academy, the British Institution, and the Royal Society of British Artists.

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signed and dated 'W. Huggins/ 1849' (lower right)
Oil on canvas
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signed with initials, inscribed and dated 'CLF sketched September 5th 1849’ (lower left and lower centre)
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Claude Lorraine Ferneley (1822–1891) was a British equestrian and sporting artist, and the son of the acclaimed Leicestershire painter John Ferneley Sr., one of the leading figures in 19th-century English horse painting. Continuing the family tradition, Claude developed a refined skill in depicting horses, hunts, and rural scenes, often drawing from the vibrant sporting life of the English countryside.
Although he lived somewhat in the shadow of his more famous father, Claude Lorraine Ferneley maintained a solid reputation among country patrons for his ability to portray horses with anatomical accuracy and spirited realism. His paintings often captured the energy of the hunt and the elegance of equestrian portraiture, appealing to a clientele that prized their animals as both companions and status symbols.
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Category
19th Century Victorian Animal Paintings
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Oil on canvas
28 5/8 x 36 1/8 in
72.6 x 91.8 cm
Provenance
With Thomas McLean, London;
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Category
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Materials
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By John Frederick Herring Jr
Located in Nr Broadway, Worcestershire
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Size including frame: 29.75 inches x 41.75 inches
Provenance: Frost & Reed; Stacy Marks, Eastbourne
A fantastic rural farmyard scene featuring horses, pigs, goats, chickens, ducks and cattle by John Frederick Herring Jnr. In the foreground, pigs, goats and chickens are shown foraging for food whilst horses watch on. To the right, a bay horse drinks from a pond next to some ducks as cattle graze outside a barn. In the distance two figures can be seen walking along a country path towards a church.
John Frederick Herring was born in Doncaster c1820 to the artist John Frederick Herring (1795-1865) and his wife Anna Catharina (nee Harris) and was baptised on 2 May, 1821. There is some confusion about the date of his birth due to an earlier birth record existing for 21 June, 1815. To complicate matters further, all of the census records indicate he was born in 1816. Some sources suggest this was an earlier child who died and that Herring was the child born in 1820.
Herring’s brothers Charles Herring (1828-1856) and Benjamin Herring (1830-1871) also became artists. He and his brothers were exposed to art at an early age and were all tutored by their father whose subject matter influenced their work. The family moved to Newmarket during the early 1830’s and Herring would visit the racecourse to study the horses. The brothers would often collaborate with their father on paintings, however, Herring Jnr soon developed his own style and began painting farmyard and rustic scenes featuring horses and other farm animals. His emerging success caused some discord with his father, who from around 1836 began adding ‘SR’ or ‘Senr’ to his signature to avoid confusion between the two artists. Herring did not join his father when he later moved to London but at some point moved to Cambridgeshire where he met and married Emma Jane Dawson on 29 August, 1836. Together, they lived at Great Wilbraham with their 5 children.
By 1861, he had moved to nearby Fulbourn and continuing his successful career made his debut at the Royal Academy in 1863. He began exhibiting at the British Institution from 1864 and also exhibited at the Royal Society of British Artists at Suffolk Street.
After the death of his first wife, Herring married the artist Catherine Augusta Rolfe on 5 December 1865 at St Pauls Church, Hammersmith in London. Catherine (or Kate) was the sister of the artists Alexander Frederick Rolfe (1814-1875) and Henry Leonides Rolfe (1823-1881) and the daughter of William E Rolfe, a friend of his father. They lived at Wilbraham Road in Fulbourn, later moving to The Poplars in Fulbourn where Herring spent the rest of his life. He died at Fulbourn on 6 March 1907.
Examples of his work are held by a number of museums and public collections including the Bradford Museum, Hawarth Art Gallery, Government Art Collection, Grundy Art Gallery, the Tate, National Gallery of Art, Washington DC and the Watford Museum & Witt Library.
Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition.
Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.
© Benton Fine Art
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Free Shipping
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Charming 19th century landscape oil painting of a Farmyard scene by john Frederick Herring depicting a number of different animals including horses, chickens, goats, ducks and cows along with a farmer and his homestead. Oil on canvas, in heavy gilt frame behind glass with oval mount. Size of canvas, Height: 51cm Width: 61cm. Framed overall size Height: 81cm Width: 90cm approximately
This painting is in overall good condition. There is some age related craquelure throughout as to be expected (close up pics available on request)
The original frame/slip shows some signs of age as to be expected including age related cracks and some minor losses
which have been colour matched and regilded. This in no way detracting from this fine painting
This painting is heavy and may need crating if shipping,this would need to be custom made and may cause delay in shipping
John Frederick HERRING (1815-1907)
John Frederick Herring Junior (1815 - 1907)
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By John Frederick Herring Sr.
Located in Woodbury, CT
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The Circle of John Frederick Herring Sr.
Circa 1880
Presented in a later gilt and painted frame
This finely rendered 19th-century English farmyard scene captures the quiet dignity of rural life, with a group of three horses—white, chestnut, and black—gathered beneath a tree in the warm light of late afternoon. A small goat stands to one side near a rustic stable, adding a note of charming domesticity to the composition. The surrounding landscape, with its distant hills and careful play of shadow and cloud, speaks to the artist’s sensitivity to atmosphere and detail.
Though unsigned, the painting is executed in a manner closely aligned with the work of John Frederick Herring Senior, one of Britain’s most celebrated animal painters of the Victorian era. The careful modelling of the horses, their distinctive postures and anatomy, and the tranquil farm setting are all hallmarks of Herring’s influence. Painted in oils on a wooden panel, the surface retains a fine, even gloss and a warm palette typical of the period.
The composition is both balanced and lyrical: the interplay of form and gesture among the animals invites the viewer into a moment of repose between work and activity, emblematic of Victorian ideals of harmony between man, beast, and the land.
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