Paint Animal Paintings

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

Artist: Slonem, Hunt Title: Pink Play Date: 2023 Medium: Oil on Wood Unframed Dimensions: 11.75" x 9.5" Framed Dimensions: 15.5" x 13.25" Signature: Signed Verso Edition: Uniq...

Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...

Wonderful fairytale painting, oil on canvas - perfect for the child’s room. By Slavic artist Vejecoslav Pejacevic, created circa 1930's - 1940's. Depicts the well-loved Aesop Fable c...

Growing up in Norfolk this wasn't as uncommon to see as i think people expect, especially now days living in london. Something from my youth I've always wanted to get down in paint. ...

Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...

As an artist, I must have energy, intensity, and movement translate onto the canvas, which is deeply personal for my self-expression. "…I am increasingly concerned about the cleanlin...

Original Painting Life Mag Published 1953 Birds Animals Illustration Mid Century Antonio Petruccelli (1907 - 1994) The World We Live In Birds of Paradise Life Magazine Illustration ...

Imaginary Horse, 2020, acrylic, oil, pastel and graphite on canvas. Spider, web, flower, blue, black, yellow, pink, abstract. Custom framed in a white floating frame

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) At the Stable, 2000 Oil on canvas Signed and dated lower right 29 x 36 inches Joseph ...

This beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...

Salmon On The Riverbank, 19th Century by JOHN BUCKNELL RUSSELL (1819-1893) sales to $20,000 Large 19th Century English study of salmon on the riverbank, oil on canvas by John Bickn...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

With this striking image, Rick Rivet has captured the fierce face of a wolf—eyes focused on the viewer, jaw open to reveal rows of jagged teeth. The Métis artist is known for his col...

Emilio Rama's captivating pop art-inspired paintings featuring origami animal figures are a distinctive and original contribution to the realm of contempor...

Artist: Slonem, Hunt Title: More Rave 1 Date: 2024 Medium: Oil on wood with acrylic & diamond dust Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Si...

Hunting Dogs Pointers French oil painting on canvas 19Th by F.E. Martinez. MARTINEZ was an French artist working around 1900. The artist's works have been offered for sale at public...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the ...

Robin Hextrum’s "All the Finer Things" is a 2023 oil painting on canvas measuring 48 x 48 x 1.50 inches. The work is unframed but ready to hang. This large-scale composition presents...

Horse portrait is an original modern artwork realized in the mid-20th century by Hans Cortes. A mixed colored oil painting on canvas. Hand signed by the artist on the lower margin....

Impressive early American modernist farm landscape with a pig painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 10 by 12 inc...

Bull XII is a unique acrylic on paper painting by contemporary artist Christophe Dupety, dimensions are 65 × 50 cm (25.6 × 19.7 in). The artwork is signed, sold unframed and comes wi...

Acrylic on canvas. Original art by Daria Kusto. Shipped well protected, rolled in a tube, unframed from Spain.

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

A fine large oil, school of Pierre Bonnard. circa 1950's. oil on canvas 55cmx75cm The original wood and textured gesso frame 72cmx92cm Titled 'On the Window Sill'. Indistinctly sign...

An evocative oil on canvas piece, capturing the warm, vibrant essence of the African wilderness. The painting is signed in the lower right. Willem Sternberg De Beer (South African, b...

Francisco Chico da Silva was born in 1910 in Alto Tejo, Brazil. He started his career in 1935 in the city of Fortaleza. The artist grew up with north B...

Artist/ School: signed Guy Benard, French contemporary Title: 'Basse Coure' Medium: oil on canvas, unframed and inscribed verso Canvas: 18.5 x 21.5 inc...

Bicycle, dog, countryside, forest, summer,green Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he bega...

This winter scene, "January Dawn" is a 24x36 rural landscape scene featuring five deer standing in a snow dusted field with red barns amidst the tree line in the background. The purple sky peeks through the bare trees, showcasing the perfect dawn lighting...

The New Arrival Colin Impey (20th Century), British signed oil on canvas, unframed dated 2018 canvas: 16 x 20.5 the painting is in overall very good and ...

A French oil on canvas painting of Holiday preparations, toys and other delights of Christmas. The painting is signed bottom left (as yet undeciphered). A very charming painting of a beautiful doll...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1993 and inscribed verso Title - The Shepherd and his flock Medium: gouache/watercolour/ ink/ pencil on artist paper, u...

Set of twelve antique Chinese pith paintings with flowers and butterflies Chinese, 19th Century Height 33cm, width 38cm, depth 1.5cm This delightful collection of paintings is craf...

“Ethel, The Blue Spotted Cow” is a bold and joyful original folk art oil painting by Mexican-American artist Martin Saldaña. Bursting with color and charm, this large-scale work feat...

Portrait of a Dachshund dog. Hide and Seek Technique: oil, acrylic, glue, ink on old book pages on wooden frame 40x40cm ■■ 15,7 x15,7inch ⭐Sustainability⭐: Wooden frame is made...

Elkhorn Slough - California Landscape in Oil on Canvas Gorgeous oil painting landscape of Elkhorn Slough, Elkhorn, California by B. Skinner (American, 20th Century). Two cranes are ...

This lovely dog portrait oil painting is attributed to an artist from the English School. It is an oil on board portrait oil painting and depicts a brown and white Italian greyhound with a black collar called Midfield Role in a landscape. Lower left is a ribbon with the dogs name on it. The accomplished animal artist has perfectly captured the Italian greyhound...

Black Outline Black Yellow Butterflies, Red Scored

The Dog Walk by Ben George Powell, British contemporary artist signed oil on canvas, unframed canvas: 9 x 12 inches provenance: private collection of this artists work, UK The painti...

Gorgeous late 19th Century landscape of cows near watering hole with birch trees and puffy clouds in background by Wesley John Straight (American, 1855 - 1922). Signed lower left corner and on verso. Title "Autumn in New England" on verso lower stretcher bar. Condition: Good; professionally cleaned and restored; minor abrasions repaired and in-painted (see images). Unframed. Image size: 40"H x 32"W. Born in Wisconsin on May 20, 1855. Straight appears to have migrated to northern California in the late 1870s. While a resident of San Jose and Grass Valley, he painted scenes of the northern coast and other scenic spots. After moving to southern California in 1912, he lived at the Southern Hotel in San Bernardino until his demise on April 5, 1922. Exhibitions: Delavan Wisconsin County Fair 1874 (painting of the Wisconsin State School for the deaf and countryside), Calif. State Fair, 1880-90, Placer California 1880...

Christopher Rainham has always been inspired by the natural world and more specifically an experience of the natural world. He is inspired by the way flora and fauna are woven into ...

Portrait Of A Maltese Terrier, 19th Century circle of George EARL (1824-1908) Large 19th Century portrait of a Maltese Terrier dog on a red cushion, oil on canvas. Excellent qualit...

Artist/ School: English School 19th Century Title: A mother and child feeding chickens and a donkey in a stable Medium: oil on canvas, framed actual canvas size: 25.5 x 21.25 inch...

'Forever Love'' by Paddy McCormack (Irish, contemporary) signed on front and to the reverse watercolour/acrylic/oil on canvas 15 x 18 inches unframed provenance: private collector, U...

Portrait Of "Jules" A Jack Russell,, 19th Century attributed to Frederick HALL (1860-1948) Large 19th Century portrait of a sleeping Jack Russell terrier "Jules", oil on panel attr...

Claude Cardon British, (1864-1937) Spring Lambs Oil on canvas, signed Image size: 9.5 inches x 13.5 inches Size including frame: 16.25 inches x 20.25 inches A charming painting of ...

Kierstin Young's (US based) "Luna" is an oil painting that depicts a battered white moth and a black background with the phases of the moon overhead Artist Statement/Bio: (b. The Ye...

Artist/School: 19th Century English School Title: Milking on a riverbank with church beyond Medium: oil on canvas, framed Size: 19 x 23 ...

Sheep in a VW Split Screen Camper Van celebrating St Patricks Day in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 ...