Nikolai Baskakov

Chickens

By Linda St. Clair 24" x 24" | Oil on Board

By Hunt Slonem This piece is a neo-expressionist depiction of a rabbit in red and black which comes ready to hang in a vintage gold frame. 2021 7.5" x 6" – Oil on Board Framed Size: ...

Artist: Linda St. Clair Title: "Longhorn" Medium: Oil on Canvas Dimensions: 30" x 30" Framing: Framed Signed: LR About the Artist: Within the great tradition of painting, Linda St....

By Gaylon Dingler 32" x 24" Acrylic on Board

By Milbie Benge 20" x 24" Oil on Canvas

By Jean Singer 12" x 16" Oil on Canvas Framed Size: 18" x 22"

Frederick Rondel (American 1826-1892) A Large, Rare Painting of "Four Horses", 1866 A magnificent and rare oval painting of horses, oil on board, measuring 52" in diameter, with exceptional quality to detail of the horses and landscape. It is indeed very rare for an American artist to paint horses in this quality and size, thus making this painting an extremely important...

Sheep in a VW Split Screen Camper Van at the Guinness factory in Ireland by Contemporary Artist Art measures 12 x 10 inches Frame measures 15 x 13 inch...

Renowned artist Hunt Slonem's "Pink Pair" is a 10x8 oil painting on wood board of two contemporary abstract bunnies in black against a light pink background. A thick application of p...

Renowned artist Hunt Slonem's "Lory" is a 10x8 colorful oil painting on wood board of an abstract parrot in green and red against a peach-colored background. A thick application of paint combined with Slonem's antique framing lends a hand in giving this piece motion. Finished with his choice of antique framing. *Painting is framed - Please note that not all Hunt Slonem frames are in mint condition. There may be signs of wear and tear due to the age and history* Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. About the artist: His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. As Slonem honed his aesthetic, his work began appearing in unique, contextual spaces. By 1995 he finished a massive six-by-86-foot mural of birds, which shoots across the walls of the Bryant Park Grill Restaurant in New York City. His charity work has resulted dozens of partnerships, including a wallpaper of his famous bunnies designed specifically with Lee Jofa for the Ronald McDonald...

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...